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Jan Ozer

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I help companies train new technical hires in streaming media-related positions; I also help companies optimize their codec selections and encoding stacks and evaluate new encoders and codecs. I am a contributing editor to Streaming Media Magazine, writing about codecs and encoding tools. I have written multiple authoritative books on video encoding, including Video Encoding by the Numbers: Eliminate the Guesswork from your Streaming Video (https://amzn.to/3kV6R1j) and Learn to Produce Video with FFmpeg: In Thirty Minutes or Less (https://amzn.to/3ZJih7e). I have multiple courses relating to streaming media production, all available at https://bit.ly/slc_courses. I currently work as www.netint.com as a Senior Director in Marketing.

YouTube/VP9/4K – Get Off the Dime, MPEG-LA

When YouTube sneezes, the codec world catches the ‘flu, even if the cause of the sneeze was totally innocuous. So it was with YouTube’s announcement that they will show 4K video encoded with VP9 at CES with hardware partners including Sony, Intel and many others. From the coverage in the press, which extended all the way to CNN, you would …

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Upcoming Webinar: Increase Landing Page Conversion with Video

No, it’s not one of my webinars, it’s from Unbounce, a company that helps marketers create landing pages for products, sevices and the like. Two things are cool about this webinar. First, if you’re a video producer, you have to be excited about ways video can help your company market your products and services. Second, they practice what they preach, …

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HP Releases New Z1

On January 6, 2014, HP announced a new version of their Z1 all-in-one workstation. I love the first version because it’s beautiful, powerful and field upgradeable; but it lacked high-speed external connectivity, so your capture options for live production were limited. You can see my experience with the unit here and my colleague Tim Siglin’s review of the Z1 here. …

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First Look: Apple Compressor 4.1

Compressor 4.1 is the first major update to Compressor since well before Final Cut Pro X. I reviewed the software for Streaming Media Magazine, and found a great new interface, the same old plumbing and confusing operation; here’s the pithy close: To close, let me say that 95% of Compressor users likely encode at data rates high enough to eliminate …

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First Look: Apple Compressor 4.1

Apple introduced Compressor 4.1 in mid-December. I just spent four days with the tool, and I can’t synthesize the results. All I can offer is a series of observations that will transfer the knowledge that I’ve acquired, and hopefully, all

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Baby Steps Into Video SEO

One area of interest for me in 2014 is video search engine optimization (SEO). In this regard, I’ll be perusing a number of resources like webinars and articles to learn the basics. I figure as long as I’m learning, I might as well share this information with visitors to the Streaming Learning Center; after all, if you care about video, …

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In Defense of Blu-ray

My wife owns a ballet company, which explains the frequent use of ballet sequences in my test clips and other content. Over the years, it’s been a great source of learning and training for me, though not really a business. I shoot because I have the best gear in town, which produces a great archive of my daughter’s progress and …

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Should I learn Final Cut Pro X or Adobe Premiere Pro?

I’m not a big fan of Quora, but occasionally the questions and answers are relevant. I saw this one today: Question: I want to gain hireable, professional-level experience and perhaps work in documentary filmmaking one day. Here’s a portion of the response from Chris Keath, Broadcast Engineer: Well, FCP 7 is still extremely common, but FCP X is not common …

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Hey, What Happened to Adobe Encore?

Looking for Adobe Encore on the Creative Cloud? It’s not easy to find. Here’s an intro to a story that I wrote for Streaming Media Producer about Encore’s demise, and how to find it on the Creative Cloud. So, there I was, starting to run some tests on a brand new HP Z820 with 12/24 core E5-2697 v2 CPUs, one …

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YouTube Live Opens Up Live Streaming to All Members

YouTube Live is a very useable and useful live streaming service that formerly was only open to a limited number of producers. According to StreamingMedia.com, the service is now free and open to all. I reviewed the service in an article you can read here; here’s one of the two webinars that I produced with the service as part of …

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