Here’s the description, click below to download the handouts. Here’s the description, click over to the main article to download the handouts.  HOW TO: Encoding Live and On-Demand Video Using HEVC Location: Grand Ballroom, Salon G This session explores the current status of HEVC, identifying options for encoding live and on-demand video using HEVC and discussing player options in the …

Here’s the description, click below to download the handouts. Fine Tuning Your Adaptive Groups with Objective Quality Metrics Location: Huntington Ballroom Choosing the number of streams in an adaptive group and configuring them is usually a subjective, touchy-feely exercise, with no way to really gauge the effectiveness and efficiency of the streams. However, by measuring stream quality via metrics like …

Download the handout from this excellent session, with contributions from Jeff Tapper (Digital Primates), John Luther (JW Player), and Mike Callahan (Elemental).  Transitioning from Flash to HTML5 is a complicated matter involving a change in player and encoding format and, for some, even new DRM, captioning, and advertising insertion technologies. Learn the current status of the Media Source Extensions and …

Here’s the description: Click below to download the handout. As video resolutions increase and target playback platforms multiply, video producers must leave their H.264/HLS/HDS comfort zone and expand into HEVC, VP9, and MPEG-DASH. This workshop is divided into multiple segments by target platform to teach you the applicable standards and best strategies for delivering live and VOD adaptive video to …

At the start of 2015, the future of HEVC seemed clean and green. There was a single patent pool, and royalties were capped at a reasonable rate. Meanwhile, the open source world was a mess, with multiple codecs from multiple sources, and only a hint

Editor’s Note: bitmovin is an Austrian company who built their business around the DASH format, including its cloud encoding service bitcodin (reviewed here), and its bitdash player. After reading the blog post DASH: The Most Popular Format (almost) No One is Using, which reported that only about 1% of streams played by the JW Player were in the DASH format, bitmovin …

Over the last few years, the Moscow State University Graphics and Media Lab (MSU) has produced the most highly-respected H.264 codec comparisons available. In October, MSU released its first HEVC comparison, which promises to achieve the same signifi

Okay, so the title is a bit of an eyeball grab, but it is based in fact. In preparing for a session on making the switch from Flash to HTML5 to be held in a couple of weeks at Streaming Media West, JW Player VP John Luther prepared some statistics about codec usage in the JW Player network.  By way …

Here are all the sessions that I’ll be producing or participating in at Streaming Media West in two weeks. I hope to see you there. Monday, November 16, 2015 W1: Encoding 2015: Codecs and Packaging for PCs, Mobile and OTT/STB/Smart TVs 9:00 a.m. – 12:00 p.m. As video resolutions increase and target playback platforms multiply, video producers must leave their …

So here I am preparing for an upcoming session at Streaming Media West entitled Encoding 2015: Codecs and Packaging for PCs, Mobile and OTT/STB/Smart TVs, and I wanted to determine the current market share of MSE and EME capable browsers. I started with a quick trip over to NetMarketshare where I displayed the Desktop Browser Version Market Share and copied …