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Jan Ozer

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I help companies train new technical hires in streaming media-related positions; I also help companies optimize their codec selections and encoding stacks and evaluate new encoders and codecs. I am a contributing editor to Streaming Media Magazine, writing about codecs and encoding tools. I have written multiple authoritative books on video encoding, including Video Encoding by the Numbers: Eliminate the Guesswork from your Streaming Video (https://amzn.to/3kV6R1j) and Learn to Produce Video with FFmpeg: In Thirty Minutes or Less (https://amzn.to/3ZJih7e). I have multiple courses relating to streaming media production, all available at https://bit.ly/slc_courses. I currently work as www.netint.com as a Senior Director in Marketing.

Producing Live Events, Master Tip 5: Audio Quality is Key

Total Webcasting is a webcasting service provider out of New York that produces dozens of events a month, and thousands since its inception in 2007. Total Webcasting is unique in that it produces virtually all events for its customers, while owning the streaming server and content management system used for live and on-demand delivery, providing the complete “glass-to-glass” experience. Through their …

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Tutorial: iOS-to-Workstation Editing Workflow with Adobe Premiere Clip and Premiere Pro

Shoot and edit a lot of video on your iPhone and iPad? Want to transfer the project over to your workstation for completion? If so, in this tutorial I demonstrate how to use Adobe Premiere clip to start video production on your iPhone or iPad and the

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HEVC Advance: What Do the Royalties Mean for Video Publishers?

HEVC Advance shook up the codec world when they announced proposed royalty policies in July, 2015, that included much higher hardware royalties then MPEG LA is seeking, without a cap, as well as royalties on content. In this article on streaming media.com, I analyze the proposed licensing terms and attempt to predict real-world numbers for actual HEVC users like Apple …

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Time to Abandon Flash? It Depends

Flash has been getting lots of bad press lately, some deserved, some not. Is it time to abandon Adobe’s long-in-the-tooth technology? Well, judging from the title an article I wrote that recently appeared on Streaming Media, HTML5 Comes of Age: It’s Finally Time to Tell Flash Good-bye, you would think so. Funny thing, though, editors create the titles, not authors, …

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Producing Live Events, Master Tip 6: Ensure Slide Integrity with a VGA Distribution Amplifier

Total Webcasting is a webcasting service provider out of New York that produces dozens of events a month, and thousands since its inception in 2007. Total Webcasting is unique in that it produces virtually all events for its customers, while owning the streaming server and content management system used for live and on-demand delivery, providing the complete “glass-to-glass” experience. Through their …

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HEVCAdvance Issues HEVC Royalty Schedule With Content Royalties

HEVCAdvance is the second HEVC patent group comprised of GE, Technicolor, Mitsubishi, Philips, and Dolby, which I wrote about in detail for Streaming Media in New HEVC Patent Pool: What Are the Implications? Last week, the group issues a proposed royalty schedule to much negative fanfare. Here’s the schedule for hardware for Region 1, which includes most developed countries. Region …

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Webinar Production: How To Look and Sound Like a Pro in Eight Easy Lessons

I’m producing a free webinar with Onstream Media on Tuesday, July 28, 2015 at 1:00 PM EST. Here’s the description: While business use of video in webinars and videoconferencing is skyrocketing, few users have had any kind of media training, and subpar audio or video quality can often derail or diminish the desired benefits of the video presentation. Fortunately, in …

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Using Objective and Subjective Quality Tests

Here's a column that talks about the requirement to perform both objective and subjective testing when evaluating different encoding techniques or comparing codecs. Here's the first paragraph. I spend a lot of time assessing video quality, sometimes

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Review: Bitcodin, a Cloud Video Encoding Service From Bitmovin

Bitmovin is an Austrian company that supplies both a cloud encoder (bitcodin) and an HTML5 player (Bitdash). It offers an all-in-one service to companies seeking to encode and distribute files via HTML5 to computers and mobile devices. I reviewed the

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Choosing a Streaming Appliance

In the market for a streaming appliance? In this article that just posted on streamingmedia.com, I review the factors to consider when choosing a live streaming appliance with a budget of around $10,000. The base requirements for the systems I discus

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