Few things please a course creator more than positive reviews and it’s been a good week for them. This one is for my FFmpeg for Adaptive Bitrate Production on the Udemy site. My goal for this course was to focus on the “why” as well as the “how.” So, students …

This software development manager found Streaming Media 101 “worth taking” for all new media professionals.  I’ve never met Spoorti Hallur from Xperi Corporation in person (we’re connected on LinkedIn), but I’m guessing she’s a glass-half-full kind of person. At least she seems that way in the fabulous review she just …

Webinar: Comparing EVC, LCEVC, and VVC with H.264, HEVC, and AV1 Tue, Feb 22, 2022 12:00 PM – 1:30 PM EST Announcing a free webinar to discuss findings from the recent Streaming Media article entitled Testing EVC, VVC, and LCEVC: How Do the Latest MPEG Codecs Stack Up? If you …

A recent tutorial posted on Streaming Media Magazine details how to use AWS Elemental’s Auto-ABR feature. Here’s the scintillating intro. Per-title encoding has been around since 2016, delivering significant bandwidth savings, QoE improvements, or both to companies that deploy it (click here for a backgrounder on per-title encoding). Those benefits …

This article compares VVC, EVC, and LCEVC with H.264, HEVC, and AV1. Its’ useful if you’re attempting to understand the goals and capabilities of these codecs. In 2020, MPEG announced three new codecs, Versatile Video Coding (VVC), Essential Video Coding (EVC), and Low Complexity Enhancement Video Coding (LCEVC). As of January …

I recently had the opportunity to test Roland’s V-02HD MK II video mixer. Though the unit only has two inputs, you can switch between them with optional foot control, making it ideal for simple self-produced productions. Here’s the Roland explainer video.  After working with the unit, I wrote a …

I recently spent a few days studying cloud-based video editors which led to this article published in Streaming Media Magazine. I learned that there are two tiers of cloud editors. The top tier, including Blackbird and Vimond IO, are serious video editors that rival desktop editors in features and performance …

Dr. Dmitriy Vatolin is the Head of the Moscow State University Graphics and Media Lab and one of my favorite colleagues in the streaming quality space. His group produces the Video Quality Measurement Tool (VQMT) that I use almost every day and publishes many codec studies that compare the latest …

A recent Netflix post trumpets AV1’s suitability for mass-market distribution, but high encoding costs, the lack of HDR support, and nascent support in the living room make AV1 a non-starter for most producers. Most of these issues should be resolved by mid-2023, when mainstream usage should really start to blossom. …

This video discusses how to choose the best cloud-based per-title provider. This was a talk I gave to the Streaming Video Alliance in late November 2021. The 23-minute presentation covers the following agenda with extensive examples. You’ll find the talk useful if you’re comparing per=title encoding features, particularly cloud-based, but …