A leading expert on H.264 encoding for live and on-demand production, and as contributing editor to Streaming Media Magazine, has tested most cloud, enterprise and desktop encoding tools, worked with most online video platforms (OVPs) and live streaming services, and many webcast platforms.
Most of my shoots are on-location events like concerts, ballets, and
weddings, where I use on-scene lighting or, at most, an on-camera
light. When I’ve done training videos and other similar shoots where I
had more control, I’ve used “ad hoc” ligh
I recently shot my 20h multi-camera shoot, a concert by jazz singer René Marie. After you do anything 20 times, you have a good idea what you’re doing and why. As it turned out, this experience helped crystallized my thoughts to a level that I hope will benefit others who shoot and edit with…
There’s a lot that goes into the perfect DVD, but one of the most fundamental aspects is navigation, or how you control the way the viewer moves through the content on the DVD. In this tutorial, I identify which aspects of the user experience you can control, and how to do so in two leading…
On January 14, 2006, I had surgery for a herniated disc. It’s worked well so far, knock on wood. It’s the same surgery Joe Montana had, and he played six weeks later, so the outlook is good. I’m writing this column because better work habits might have prevented the whole problem, and because it might…
All of us have had audio rise up and bite us in the rear on a project or two, usually when we were focused elsewhere and not paying attention to levels, connections, and the like. Fortunately, with the right set of software tools and a bit of background information, you can eliminate many errors with…
It all starts with the camcorder. Not to state the obvious, but whether you’re shooting weddings, concerts, or interviews, or editing in Premiere Pro, Vegas, or Final Cut, each project begins with the shoot. This inescapable fact of videography life, plus a price tag that can approach five figures, makes camcorder selection a critical business…
I’ve produced a number of HDV-source projects in Premiere Pro, with generally good results. Recently, however, working with some multicamera projects, I started to notice some anomalies. When panning and zooming inside a clip in the multicam sequence, quality wasn’t what I expected. As you probably know, one of the benefits of shooting in HDV…
All of us have had audio
rise up and bite us in the rear on a project or two, usually when we
were focused elsewhere and not paying attention to levels, connections,
and the like. Fortunately, with the right set of software tools and a
bit
To produce professional video on a budget, you need to master various visual and technical arts. But you also need to become a master of illusion, especially if you’re working as a crew of one. Here we explore the art of the single-camera shoot, and insert-editing techniques that will ensure that you have all the…
Last July, I shot a concert performance by No Speed Limit (www.nospeedlimitband.com) an up-and-coming bluegrass band whose banjo player, Stevie Barr, comes from my adopted hometown of Galax, Virginia. I did it as a favor for the local tourism directo