Few people can resist uploading videos to YouTube, whether as a simple way to share their work with friends or to launch a production upon the unsuspecting world. The traditional downside, however, has been video quality that ranged from fair to, frankly, poor. However, YouTube recently launched a new option that encodes some videos to…
If you’re considering buying a new affordable HD camcorder, you should have at least three formats in mind: tried-and-true HDV, up-and-coming AVCHD, and the ever-more-affordable DVCPRO HD. By a stroke of good fortune, I have three such camcorders in hand right now, and I thought it would be a good time to discuss their relative…
I’ve been a user exclusively of tape-based cameras since the analog days. So, beyond the implications of the AVCHD format, I was intrigued by the opportunity to test Panasonic‘s AG-HSC1U, because it stores all video and still images on SDHC cards. A 4GB card is included with the camera. You can find the camcorder online…
Once you’ve chosen a codec, you have to choose an encoding tool. In
this column, I’ll outline the codec-specific and automation-related
questions you should ask before using or buying an encoding tool, and
then describe the three level
One of the more intriguing rumors to come out of Streaming
Media East was that Microsoft was going to add H.264 playback to Silverlight
and/or the Windows Media Player. The idea made so much sense that it was
instantly believable, but
“Impressive” turns out to be a good adjective for the version 3.0
update in general, which significantly improves an already highly
competent product. Rhozet has made several useful
streaming-codec-related improvements, enhanced watch-folder
func
http://www.streamingmedia.com/article.asp?id=11290Flash and Silverlight can play multiple roles within an
organization, so let’s start by identifying those. First is the
video-player role. For example, if you want to add video to an existing
websi
This workshop focuses on comparing the quality, playback environment, and feature sets of the big three codecs (VP6, H.264, and Windows Media), including a comparison of the primary H.264 codecs including Apple, Main Concept, Telestream, and others. Attendees will also get an introduction to universal encoding parameters, like variable and constant bitrate encoding and I, B, and P frames, and then learn the technical requirements for producing files with each codec. During the final hour, the workshop will analyze which sub-$1,000 encoding tools do the best (and worst) jobs with each format.
Microsoft Silverlight is like the proverbial elephant; your
impression depends upon where you touch it. In this article, I’ll touch
it at the Expression Encoder, which is the encoding component of
Expression Studio. Specifically, this article desc
Dual-monitor editing stations used to be exotic, expensive, and hard to set up and maintain. Today, with virtually all new graphics cards offering dual-output ports, flat-panel monitors priced well below $300, and rock-solid support in Windows XP and popular prosumer NLEs like Adobe Premiere Pro, building a dual-monitor station is both financially and technically within…