Once you’ve chosen a codec, you have to choose an encoding tool. In
this column, I’ll outline the codec-specific and automation-related
questions you should ask before using or buying an encoding tool, and
then describe the three level
One of the more intriguing rumors to come out of Streaming
Media East was that Microsoft was going to add H.264 playback to Silverlight
and/or the Windows Media Player. The idea made so much sense that it was
instantly believable, but
“Impressive” turns out to be a good adjective for the version 3.0
update in general, which significantly improves an already highly
competent product. Rhozet has made several useful
streaming-codec-related improvements, enhanced watch-folder
func
http://www.streamingmedia.com/article.asp?id=11290Flash and Silverlight can play multiple roles within an
organization, so let’s start by identifying those. First is the
video-player role. For example, if you want to add video to an existing
websi
This workshop focuses on comparing the quality, playback environment, and feature sets of the big three codecs (VP6, H.264, and Windows Media), including a comparison of the primary H.264 codecs including Apple, Main Concept, Telestream, and others. Attendees will also get an introduction to universal encoding parameters, like variable and constant bitrate encoding and I, B, and P frames, and then learn the technical requirements for producing files with each codec. During the final hour, the workshop will analyze which sub-$1,000 encoding tools do the best (and worst) jobs with each format.
Microsoft Silverlight is like the proverbial elephant; your
impression depends upon where you touch it. In this article, I’ll touch
it at the Expression Encoder, which is the encoding component of
Expression Studio. Specifically, this article desc
Many videographers are creating iPod-compatible files for clients or for posting as demo files on their websites. You would think that with a gazillion iPods sold, the process of getting video onto an iPod would be very straightforward. Well, there’s straightforward, and then there’s straightforward. If you’re a soccer mom showing off vacation videos, your…
Focus Enhancements‘ FS-C direct to edit (DTE) recorder is a high-performance, feature-rich product that’s the perfect complement to Canon camcorders like the XL H1, XH A1, or even XL2 (I tested with the XH A1). The only catch is price; at $1,799.95 for the 100GB model at B&H Photo, the unit may be hard to…
Dual-monitor editing stations used to be exotic, expensive, and hard to set up and maintain. Today, with virtually all new graphics cards offering dual-output ports, flat-panel monitors priced well below $300, and rock-solid support in Windows XP and popular prosumer NLEs like Adobe Premiere Pro, building a dual-monitor station is both financially and technically within…
I’m a big Adobe Audition fan, and when I heard that the
powerful multitrack audio editing program found in Adobe Production
Studio would be replaced in the upcoming CS3 bundle by a more
feature-limited version, I was less than pleased. That