A leading expert on H.264 encoding for live and on-demand production, and as contributing editor to Streaming Media Magazine, has tested most cloud, enterprise and desktop encoding tools, worked with most online video platforms (OVPs) and live streaming services, and many webcast platforms.

Five Signs Your Encoding Ladder May Be Obsolete

Your encoding ladder is the set of encoding parameters that you use to create the various files that you deliver adaptively to your web viewers. These encoding parameters can live in your on-premise encoder, in your cloud encoder, or in your online video platform (OVP). When optimally configured, your encoding ladder lets you efficiently deliver…

Editing Technique: Restoring A/V Sync in Premiere Pro

Executive Summary: A common problem with footage created using iPhones, screencam tools, Wirecast, and Skype is a loss of A/V sync when importing the video into Premiere Pro. This video tutorial presents a simple fix using Handbrake. You can read a tutorial on the Streaming Media Producer Website here.  Overview and discussion: Many sources of…

Encoding Brief: The Benefit of B-frames

Executive Summary: B-frames increase compression efficiency, particularly at lower bitrates. However, not all video encoders deliver the requested number of B-frames when encoding using default parameters. Telestream Switch is a software program that identifies B-frames in encoded streams, and computes the overall B-frame percentage. Compressionists seeking the most efficient streams should acquire Switch and test…

Survey Results In: DASH Squeaks Win over HLS

Late last year I ran a survey asking respondents to choose whether DASH or HLS was the best ABR format going forward. The poll results are in and are shown below. Basically, a small majority preferred DASH over HLS. The reasons why are even more illuminating, and are presented below the survey results. “Not sure…