Distributing your video

Handout for Encoding Video for HTML5

Click over to the main page to download the handout. Here's the presentation description.

Learn the technological fundamentals behind encoding both H.264 and WebM formats for playback with the HTML5 tag. Learn the basics of H.264 and WebM encoding, and how to produce it for HTML5 distribution. In addition, see how the various H.264 and WebM encoding tools compare in regards to performance, quality, and features.

Handout for Choosing an Enterprise Encoder

Here's the description. Click over to the article page to download the handout.

This session will discuss factors to consider when choosing an enterprise video encoding systems from the likes of Digital Rapids, Elemental, Harmonic, Sorenson, and Telestream. Factors incorporated into the analysis will include performance, output quality, quality control options, format support, expansion options, programmability, and other variables. If you're considering buying an enterprise encoder or upgrading your current systems, you'll find this session particularly useful.

Encoding your video

Handout for Choosing an Enterprise Encoder

Here's the description. Click over to the article page to download the handout.

This session will discuss factors to consider when choosing an enterprise video encoding systems from the likes of Digital Rapids, Elemental, Harmonic, Sorenson, and Telestream. Factors incorporated into the analysis will include performance, output quality, quality control options, format support, expansion options, programmability, and other variables. If you're considering buying an enterprise encoder or upgrading your current systems, you'll find this session particularly useful.

H.264 in a Mobile World: Adios to the Main and High Profiles?

Now that mobile devices are a critical target for most streaming producers, does it make sense to start encoding all H.264 footage using the Baseline profile? From the tests that I performed this week, encoding all footage using this profile might save encoding and storage resources with minimal loss in quality. Click over to the main article to view the test results, or click here to view the actual video files.

Choosing production tools

Handout for Choosing an Enterprise Encoder

Here's the description. Click over to the article page to download the handout.

This session will discuss factors to consider when choosing an enterprise video encoding systems from the likes of Digital Rapids, Elemental, Harmonic, Sorenson, and Telestream. Factors incorporated into the analysis will include performance, output quality, quality control options, format support, expansion options, programmability, and other variables. If you're considering buying an enterprise encoder or upgrading your current systems, you'll find this session particularly useful.

Creating a Perfect Green Screen Overlay in Premiere Pro.

Here's a video I produced for OnlineVideo.net on using Premiere Pro's Ultra Key and Garbage Matte. It's an intro- to mid-level video that applies the effect on three videos of varying complexity. The good news? One video is of a (fully clothed) lovely dancing lady. The bad news? The lady's face is not showing (those pesky permission issues) and the other videos are of me.

All joking aside, if you've never used Premiere Pro's Ultra key and you plan to do so in the near term, the tutorial is worth a look.

Streaming Stat of the Week

The Secret to Go Daddy's Video Success...

Danica.jpg...is NOT how they encode their video. But, they do a lot of other things right with their streaming video as you can read below. 

GoDaddy.com aggressively advertises videos on television to convince you to visit their web site. With celebrities Danica Patrick and Jillian Michaels on board, it’s a pretty good strategy. Of course, when most viewers see these TV commercials, they probably wonder how it ends, and how close the two beauties come to baring all. Me? I wonder how Go Daddy is encoding their video and how social media-savvy they are when it comes to their player.

Average US Broadcasters Streaming at 837 kbps Total Data Rate

I track the data rate and video configuration used by broadcast sites since they indicate the types of streams that their mass market audiences can retrieve and play, and also the quality of streams that web video consumers are used to viewing. In my latest survey, the average video configuration was very close to 640x360, with a combined audio/video data rate of 837 kbps (758 kbps video, 79 kbps audio). This computes to an average bits per pixel value of .115. If videos posted on your site are lower than these figures, you're probably being unnecessarily conservative.

To view the groupings and individual sites used in my analysis, click over to the main story.

Recent Blogs

Two Years In: Are We Really Better Off Without Flash on Our iPads?

Love it, hate it, however you look at it, two years after its initial introduction, iPad owners still don't get the same experience as Flash-based desktops. So Bubba Watson was in a playoff at the Masters with Louis Oosthuizen. Fate conspired again...

Video Compression for Flash, Apple Devices and HTML5 Released for Kindle

If you've been waiting to pick up my book Video Compression for Flash, Apple Devices and HTML5 until it's available in digital format, wait no more. The book is available for Kindle and you can find it here for $19.99, a savings of about $10.00 over ...

Another great book review

Let me re-iterate that if you are delivering a live event, or videos online, then this book is a must - plain and simple. Another very positive 5-star review of my book, Video Compression for Flash, Apple Devices and HTML5, from Andy Stevenson. After...

Warning: Watch Before Preparing Your PowerPoint

I'm preparing for multiple presentations over the next couple of weeks, and was Googling to find data on the effectiveness of learning aids in viewer retention and comprehension. Came across this video that every presenter should see while preparing ...

HP Updates Workhorse Z Workstation Line

HP's Z workstations are widely used in video production and streaming encoding, and the dual CPU Z800 is a personal favorite. HP just announced updated versions of top 3 systems in the Z line, all capable of using the latest eight-core Intel CPUs. He...

Streaming production

Handout for Encoding for Flash, Mobile, and HTML5 Workshop

Here's the description:

Learn the technological fundamentals behind encoding for both H.264 and WebM formats. You'll learn how to encode H.264 for HTML5 distribution and streaming to iOS and other mobile devices, as well as how to encode it for Flash, including live, on-demand, and RTMP, as well as HTTP-based adaptive streaming. For WebM, you'll learn the basics of on-demand streaming, plus get a look at live WebM encoders. Finally, you'll learn how the various H.264 and WebM encoding tools compare in regards to performance, quality, and features.

Download link in the full article page.

H.264 in a Mobile World: Adios to the Main and High Profiles?

Now that mobile devices are a critical target for most streaming producers, does it make sense to start encoding all H.264 footage using the Baseline profile? From the tests that I performed this week, encoding all footage using this profile might save encoding and storage resources with minimal loss in quality. Click over to the main article to view the test results, or click here to view the actual video files.

Video tutorials

Why 30 seconds of video takes 3 hours to shoot

big picture 2.jpgI produce lots screencams, and some customers ask for a live greenscreen video intro in front of the screencam. "What's the harm," they ask? "It's only 30 seconds of video, how long will that take to shoot?" Well, if you're like me and you don't have a dedicated studio and staff for such productions, they can take awhile.

If fact, this week I had to shoot two video intros, and it took 3 hours to produce them. So, just to have ammunition for higher fees next time, I figured I would detail the gear I had to setup and configure to get the job done. As an incentive (har, har), those who stick around to read the story will also get a look at the final video.

Normalization and Compression in Adobe CS5.5

Streaming viewers will tolerate some video degradation but expect audio to be near perfect. There are two techniques you can use to make sure that your audio loud, clear and robust. Normalization increases volume as much as possible without introducing distortion into the file, while compression makes the signal as robust as possible. In this tutorial, you'll learn how to apply normalization in Adobe Audition and Adobe Premiere Pro, and how to apply compression in Adobe Audition.