Tag Archives: encoding review

This post describes how to formulate the optimal encoding ladder with VMAF. This analysis is excerpted from a lesson in the online course Streaming Media 101: Technical Onboarding for Streaming Media Professionals.  I received the following question from a reader; it’s got such general applicability that I thought I would share my response.  Question:  We’re currently reviewing our ABR ladder …

YouTube encodes some videos using the AV1 and VP9 codecs. This post identifies the H.264 versions also created by YouTube for devices incompatible with VP9/AV1 for 1080p and larger videos.  In a recent post, I explored which codecs YouTube used for videos ranging from a few hundred views to a few million. The conclusion was H.264 for videos with a …

Author’s Note (March 15, 2022): A colleague recently advised me that YouTube was now encoding all videos into VP9 format. A quick check revealed that he was correct; literally every video that I checked, including some uploaded back in 2010, was encoded into VP9 as well as H.264. What’s interesting is that many low-volume videos, like this one with 118 …

Author’s note: After completing this long and arduous post, Apple sent a note that I was interpolating their scores incorrectly, leading to more analysis shown as an addendum below.  What: This article compares Apple’s AVQT metric to VMAF and SSIMWAVE’s SSIMPLUS metrics, with very limited subjective testing from Subjectify.us. The testing was extremely limited as are the conclusions you should …

The H.264 codec is still the most widely used video compression technology — aka codec in the world and likely will be for the next few years. For this reason, every streaming media professional should know what the H.264 codec is and how to encode with H.264. This beginner’s guide to encoding H.264 will describe what H.264 is, detail the …

This article is derived from a lesson in Streaming Media 101: Technical Onboarding for Streaming Media Professionals. If you’re looking for an efficient way to get up to speed on key streaming terms, technologies, workflows, and best practices, check out the course here.  Every time you encode a video file with a distribution-oriented codec like H.264, HEVC, VP9, or AV1, …

Maya Angelou once said that “You can’t really know where you are going until you know where you have been,” and so it is with per-title encoding. What began as a one-dimensional data rate adjustment that reflected the simple reality that all videos encode differently is now a complex analysis that incorporates frame rate, resolution, color gamut, and dynamic ranges, …

This article on the Wowza website provides a quick overview of the HEVC codec: what it is, how it performs, what it costs, and what it’s good for. It concludes with a section on what you need to know to effectively deploy the HEVC codec using the Wowza Streaming Engine software. The article is the third in a five-part series …

This article on the Wowza website provides a quick overview of the VP9 codec: what it is, how it performs, what it costs, and what it’s good for. It concludes with a section on where you should consider deploying VP9 and what you need to know to effectively deploy the codec. The article is the second in a five-part series …