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Jan Ozer

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I help companies train new technical hires in streaming media-related positions; I also help companies optimize their codec selections and encoding stacks and evaluate new encoders and codecs. I am a contributing editor to Streaming Media Magazine, writing about codecs and encoding tools. I have written multiple authoritative books on video encoding, including Video Encoding by the Numbers: Eliminate the Guesswork from your Streaming Video (https://amzn.to/3kV6R1j) and Learn to Produce Video with FFmpeg: In Thirty Minutes or Less (https://amzn.to/3ZJih7e). I have multiple courses relating to streaming media production, all available at https://bit.ly/slc_courses. I currently work as www.netint.com as a Senior Director in Marketing.

Encoding for Multiple Devices

Many streaming producers are increasing the number of mobile and over-the-top (OTT) platforms that they support while implementing adaptive streaming to enhance the viewing experience on each. There are two ways to accomplish this: produce a unique s

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Deliver an Awesome Webcast from Your Desk

So you've been tasked (or you decided) to produce If you're working in a small home or office with a webcast from your office. Congratulations, it's a great way to communicate directly with one or hundreds of viewers. Of course, one critical factor i

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A Buyer’s Guide to Portable Encoders

Live event streaming while on the road requires an encoder that's as powerful as it is portable. In this Buyer's Guide, I'll detail the categories to consider when buying a portable encoder, along with factors to consider to help identify the best pr

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A Buyer’s Guide to Live Encoders

Choosing a live streaming encoding tool used to be simple: You typically would encode a single stream for delivery to your desktop viewers, and budget was the most important buying criteria. When buying today, of course, you've almost certainly expan

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A Buyer’s Guide to Cloud Transcoding

Is 2013 the year of encoding in the cloud? Actually, it might be, at least for live transcoding in the cloud, and even on-demand transcoding should see significant migration to cloud facilities.

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Windows 8 and Internet Explorer 10: How to Make Sure Your Videos Play

Windows 8 might be taking off more slowly than Microsoft had hoped, but for video producers, it's still another OS and browser to reckon with. Here's what you need to know to make sure your videos play on Windows 8 devices.

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Tutorial: Vislink LiveGear Airstream Cellular iNG Transmitter

If you're in the market for a portable video encoder/transmitter, you should consider the LiveGear Airstream from Vislink. It's mobile and easy to use, and it employs predictive forward error correction and adaptive bitrate H.264 encoding to reliably

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Tutorial: Removing Video Noise with the Neat Video Plug-in

In this tutorial, I demonstrate how you can use the Neat Video plug-in to remove noise from video, improving output quality for all outputs.

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Final Cut Pro X 10.0.6 Review at OnlineVideo.net

I review the key features of the update and conclude: So where does this release leave Final Cut Pro X in the great panoply of professional editors? When first released, FCPX had serious deficits that simply prevented many producers from using the product. As many detractors crowed, it was more iMovie Pro than FCPX. If you produced multi-cam events, for …

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Article on Closed Captioning at Streaming Media Magazine

Here’s the intro: Though relatively few websites are required to provide closed captions for their videos, any website with significant video content should consider captioning. Not only does it provide access for deaf and hard-of-hearing viewers, but captions and the associated metadata can dramatically improve video search engine optimization. In this introduction to closed captions, you’ll learn about who needs …

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