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Jan Ozer

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I help companies train new technical hires in streaming media-related positions; I also help companies optimize their codec selections and encoding stacks and evaluate new encoders and codecs. I am a contributing editor to Streaming Media Magazine, writing about codecs and encoding tools. I have written multiple authoritative books on video encoding, including Video Encoding by the Numbers: Eliminate the Guesswork from your Streaming Video (https://amzn.to/3kV6R1j) and Learn to Produce Video with FFmpeg: In Thirty Minutes or Less (https://amzn.to/3ZJih7e). I have multiple courses relating to streaming media production, all available at https://bit.ly/slc_courses. I currently work as www.netint.com as a Senior Director in Marketing.

Choosing an Enterprise Encoder – Europe 2012

Here’s the seminar description: This session will discuss factors to consider when choosing an enterprise video encoding system from the likes of Ateme, MainConcept, Thomson Video Networks, and others. Factors incorporated into the analysis will include performance, output quality, quality control options, format support, expansion options, programmability, and other variables. If you’re considering buying an enterprise encoder or 1 upgrading …

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Encoding for HTML5

Here in London speaking at Streaming Media Europe on encoding for HTML5. Here’s the seminar description: Learn the technological fundamentals behind encoding both H.264 and WebM formats for playback with the HTML5 tag. Find out more about the basics of H.264 and WebM encoding, and how to produce it for HTML5 distribution. In addition, see how the various H.264 and …

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Handout for Encoding for Flash, Mobile and HTML5

In London, teaching this seminar: Learn the technological basics behind encoding for both H.264 and WebM formats. You'll learn how to encode H.264 for HTML5 distribution and streaming to iOS and other mobile devices, as well as how to encode it

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Optimizing Brightness and Contrast in FCPX

The histogram and the waveform in Apple Final Cut Pro X are effective, easy-to-master tools that provide the clear input you need to diagnose and fix the contrast issues in your video simply and intelligently. In this video tutorial, video editing and encoding expert Jan Ozer explains how they work.

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Let’s meet in London!

I’ll be attending and teaching several workshops and seminars at Streaming Media Europe in London during the week of October 15-17th. If you’re interested in attending, you can get a 10% discount by clicking here and entering priority code SME10 for the discount to Streaming Media Europe and/or sister conference the Video Infrastructure Summit. Here are the sessions that I’ll …

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I’m Saying Adios to F4V

I’ve been working on a consulting project involving video on-demand adaptively distributed to Flash and iOS clients via the Adobe Media Server. The job is being run by John Simmer of Web Learning Solutions, and I was brought in by my buddy Stefan Richter of the TheRealTimeWeb.com. I was charged with creating presets for the various frame rates and aspect …

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Three Premiere Pro Tips-A Video Tutorial

This video tutorial illustrates three tips that will enhance your workflow and get you out of some editing jams in your Adobe Premiere Pro projects: editing audio without unlinking; Fill Left and Fill Right to create stereo audio; and creating nested sequences for smoother edits and creating reusable set pieces in your projects.

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Choosing an Enterprise Encoder

Gave a presentation today to the Adobe Media Server Users group on choosing an enterprise encoder. To view the presentation itself, click here. You can download the 50+ page handout below. Here’s a description of the presentation. This session will discuss factors to consider when choosing enterprise video encoding systems from the likes of: Digital Rapids, Elemental, Harmonic, Sorenson, and …

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YouTube uses FFMPEG for encoding

I guess for many producers, the title is akin to “there is no Santa Claus,” or “the Republican Party’s top priority is reducing taxes for the one-percenters who fund their PACs;” obvious facts, and just not news. On the other hand, for many other producers, confirmation that YouTube uses FFMPEG might mean that they should take a closer look at …

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Livestream Goes Completely Ad-Free, Even for its Free Service

Today, Livestream announced that all tiers of service on the new Livestream platform will be available on a completely ad-free basis immediately, including the free version. The company also pre-announced a new tier of service that will enable of liv

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