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Jan Ozer

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I help companies train new technical hires in streaming media-related positions; I also help companies optimize their codec selections and encoding stacks and evaluate new encoders and codecs. I am a contributing editor to Streaming Media Magazine, writing about codecs and encoding tools. I have written multiple authoritative books on video encoding, including Video Encoding by the Numbers: Eliminate the Guesswork from your Streaming Video (https://amzn.to/3kV6R1j) and Learn to Produce Video with FFmpeg: In Thirty Minutes or Less (https://amzn.to/3ZJih7e). I have multiple courses relating to streaming media production, all available at https://bit.ly/slc_courses. I currently work as www.netint.com as a Senior Director in Marketing.

Consumer Brands Flock to YouTube (67%!)

Sam Walton would have liked YouTube. The site provides viewers with a range of file options in a well-featured player that offers comments, ratings, likes and captions. Companies who post videos can create their own channels and a host of viewing statistics, plus gazillions of eyeballs. In addition to that, of course, it’s free. I’m guessing that Sam would have …

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New Review of Multiple Screen Delivery – “This is a Wonderful Book”

Doug Dixon is an independent technology consultant, contributing editor to Interent Video Magazine, and contributor to Conde Nast Traveler Magazine who makes his work available on his Manifest Technology website. He’s written multiple technologically-oriented books, so he knows technology and how hard it is to write a book on fast changing technologies. He’s one of several technology writers that I …

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DVD vs. Online Training Delivery — Online is Cheaper

Continuing education vendor Suncam charged $50 for DVDs, and offered the same video for free via streaming. Which cost more? The DVDs, even after the $50. SunCam is a Florida company and consulting client that provides continuing education courses and related certification tests in a range of disciplines, including engineering, construction, surveying, project management and others. Some courses are taught …

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Microsoft Releases Smooth Streaming Plugin for Flash

This is a bit old news (March 2013), but I was doing some research for an article on Windows Azure Media Services, and noticed that Microsoft released the Smooth Streaming Plugin for OSMF 2.0 (Adobe’s Open Source Media Framework for adding features to the Flash Player). As stated in the release notes, Using Smooth Streaming OSMF plugin, you can add …

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What’s Happening with Flash, DASH and HLS

Which technology will you use in 2015 to reach multiple screens, DASH or HLS? While DASH gets the most attention, HLS is my front-runner, and Flash will still dominate desktops. Flash has been one of the foundational technologies for streaming media since the VP6 replaced SV3 as the primary codec in 2005. However, when the first iPad was released without …

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How Creative Cloud Pricing compares to Purchase Options

I just finished a Creative Cloud FAQ for OnlineVideo.net. As you may know, Adobe has stopped selling new versions of former Creative Suite software components and will make them available only via the Creative Cloud, which you pay for monthly. You can still buy either individual versions of the apps or the suites, but these are frozen at the CS6 …

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Beet.TV Interview on HEVC from Streaming Media East

I hosted a panel on HEVC at Streaming Media East in Manhattan on May 21, 2013. Just after the session ended, Beet.tv’s Andy Plesser asked me what Akamai, Rovi and Elemental had revealed during the discussion, and how the cloudy royalty picture may slow down HEVC adoption. Here are the excerpts.

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First Amazon Review for Multiscreen Delivery Book – 5 Stars!

Portland Community College multimedia instructor Seth Bloombaum likes Producing Streaming Video for Multiple Stream Delivery so much that he's using it in an upcoming course scheduled for this fall. He also took the time to write a 5-star review on A

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When Will the HEVC Royalty Picture Clear Up: Apparently No Time Soon

Motivated by their perception of being short-changed in H.264 royalty revenues, HEVC/H.265 intellectual property (IP) owners seem to be in no hurry to formulate a cohesive and rational royalty policy, delaying the very royalties that they covet.  I had the pleasure of hosting a panel at Streaming Media East entitled Understanding the Significance of HEVC/H.265. The speakers were well-connected, high-level …

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Choosing an Enterprise Encoder

Today (May 22, 2013), I presented a session at Streaming Media East in Manhattan on Choosing an Enterprise Encoder. Click the link below to download the presentation materials.

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