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Jan Ozer

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I help companies train new technical hires in streaming media-related positions; I also help companies optimize their codec selections and encoding stacks and evaluate new encoders and codecs. I am a contributing editor to Streaming Media Magazine, writing about codecs and encoding tools. I have written multiple authoritative books on video encoding, including Video Encoding by the Numbers: Eliminate the Guesswork from your Streaming Video (https://amzn.to/3kV6R1j) and Learn to Produce Video with FFmpeg: In Thirty Minutes or Less (https://amzn.to/3ZJih7e). I have multiple courses relating to streaming media production, all available at https://bit.ly/slc_courses. I currently work as www.netint.com as a Senior Director in Marketing.

Final Cut Pro X 10.0.6 Review at OnlineVideo.net

I review the key features of the update and conclude: So where does this release leave Final Cut Pro X in the great panoply of professional editors? When first released, FCPX had serious deficits that simply prevented many producers from using the product. As many detractors crowed, it was more iMovie Pro than FCPX. If you produced multi-cam events, for …

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Article on Closed Captioning at Streaming Media Magazine

Here’s the intro: Though relatively few websites are required to provide closed captions for their videos, any website with significant video content should consider captioning. Not only does it provide access for deaf and hard-of-hearing viewers, but captions and the associated metadata can dramatically improve video search engine optimization. In this introduction to closed captions, you’ll learn about who needs …

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Closed Captioning for Streaming Media

Though relatively few websites are required to provide closed captions for their videos, any website with significant video content should consider captioning. Not only does it provide access for deaf and hard-of-hearing viewers, but captions and the

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Handout for Encoding Video for HTML5 – SMWest 2012

Here’s the seminar description: Encoding Video for HTML5: Learn the technological fundamentals behind encoding both H.264 and WebM formats for playback with the HTML5 tag. Learn the basics of H.264 and WebM encoding and how to produce it for HTML5 distribution. In addition, see how the various H.264 and WebM encoding tools compare in regard to performance, quality, and features. …

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Video Tutorial: Maximizing Brightness in FCPX

The histogram and the waveform in Apple Final Cut Pro X are effective, easy-to-master tools that provide the clear input you need to diagnose and fix the contrast issues in your video simply and intelligently. In this video tutorial, you’ll learn how they work. Click here for an article describing this operation in Streaming Media Producer.

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Video Tutorial: Maximizing Brightness and Contrast in Premiere Pro CS6

In this tutorial you’ll learn how to maximize the brightness and contrast of your video in Adobe Premiere Pro CS6 using the Brightness, Contrast, and Gamma Correction controls for effective and balanced adjustments. Click here to read an article detailing this procedure in Streaming Media Producer.

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Jan Ozer Interview at Streaming Media West

OK, so this is definitely a homer interview, but content is content right. Some night where you’re having trouble falling asleep, check out this video which reviews the highlights and key takeaways of Streaming Media West 2012. Topics include live streaming using the cloud, the exploding market for live stream applications, the Logitech Broadcaster Wi-Fi Webcam, Livestream’s Studio HD500, and …

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Livestream Broadcaster Review: Deliver Rich Live Events for Less

Livestream Broadcaster is an exceptionally easy to configure and use live encoder that produced very good quality over a range of relevant bandwidths. The only significant negatives are that the unit doesn't work with the older Livestream system, and

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Handout for Choosing an Enterprise Encoder – SMWest 2012

Here’s the seminar description: Choosing an Enterprise-Class Video Encoder: This session discusses factors to consider when choosing an on-demand enterprise video encoding system from the likes of Digital Rapids, Elemental, Harmonic, Sorenson, and Telestream. Factors incorporated into the analysis include performance, output quality, quality control options, format support, expansion options, programmability, and other variables. If you’re considering buying an enterprise …

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Handout for Choosing a Live Encoder – SMWest 2012

Here’s the seminar description: Choosing a Live Streaming Encoder: This session discusses factors to consider when choosing a live streaming encoder, starting with free or inexpensive software options to high-volume, big iron systems, including quality, performance, portability, features, and format support. The session also examines how new cloud- based features such as live transrating are changing the requirements for on-location …

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