Here’s the seminar description: Encoding for Flash, Mobile and HTML5: Learn the technological fundamentals behind encoding for both H.264 and WebM formats. Learn how to encode H.264 for HTML5 distribution and streaming to iOS and other mobile devices, as well as how to encode it for Flash, including live, on-demand, and RTMP, as well as HTTP-based adaptive streaming. For WebM, …

Just finished a seminar on Encoding for iDevices. Here’s the description: This seminar starts by detailing the playback specs for all iDevices, old and new. Then, learn the strategies used by prominent iTunes publishers to serve the complete range of installed iDevices. Next, the seminar switches to cellular wireless delivery, with a technical description of Apple’s HTTP Live Streaming (HLS), …

Here’s the seminar description: This session will discuss factors to consider when choosing an enterprise video encoding system from the likes of Ateme, MainConcept, Thomson Video Networks, and others. Factors incorporated into the analysis will include performance, output quality, quality control options, format support, expansion options, programmability, and other variables. If you’re considering buying an enterprise encoder or 1 upgrading …

Here in London speaking at Streaming Media Europe on encoding for HTML5. Here’s the seminar description: Learn the technological fundamentals behind encoding both H.264 and WebM formats for playback with the HTML5 tag. Find out more about the basics of H.264 and WebM encoding, and how to produce it for HTML5 distribution. In addition, see how the various H.264 and …

In London, teaching this seminar: Learn the technological basics behind encoding for both H.264 and WebM formats. You'll learn how to encode H.264 for HTML5 distribution and streaming to iOS and other mobile devices, as well as how to encode it

The histogram and the waveform in Apple Final Cut Pro X are effective, easy-to-master tools that provide the clear input you need to diagnose and fix the contrast issues in your video simply and intelligently. In this video tutorial, video editing and encoding expert Jan Ozer explains how they work.

I’ll be attending and teaching several workshops and seminars at Streaming Media Europe in London during the week of October 15-17th. If you’re interested in attending, you can get a 10% discount by clicking here and entering priority code SME10 for the discount to Streaming Media Europe and/or sister conference the Video Infrastructure Summit. Here are the sessions that I’ll …

I’ve been working on a consulting project involving video on-demand adaptively distributed to Flash and iOS clients via the Adobe Media Server. The job is being run by John Simmer of Web Learning Solutions, and I was brought in by my buddy Stefan Richter of the TheRealTimeWeb.com. I was charged with creating presets for the various frame rates and aspect …

This video tutorial illustrates three tips that will enhance your workflow and get you out of some editing jams in your Adobe Premiere Pro projects: editing audio without unlinking; Fill Left and Fill Right to create stereo audio; and creating nested sequences for smoother edits and creating reusable set pieces in your projects.

Gave a presentation today to the Adobe Media Server Users group on choosing an enterprise encoder. To view the presentation itself, click here. You can download the 50+ page handout below. Here’s a description of the presentation. This session will discuss factors to consider when choosing enterprise video encoding systems from the likes of: Digital Rapids, Elemental, Harmonic, Sorenson, and …