The DASH standard (Dynamic Adaptive Streaming over HTTP) is increasingly being implemented by premuim content distributors, though deployment is added on a device or platform-specific basis. In this transcribed interview between Streaming Media’s Senior Associate Editor Troy Dreier, and Baptiste Courdurier, a software development Lead for Hulu, you can read how Hulu is using DASH and why. Here’s an except.  …

I got a email question yesterday that went like this: Please forgive me if this question sounds obvious but when I encode a master clip for different streaming outputs (using AME C6) I end up with a different file for each separate outlet. A file for YouTube, a file for the iPad etc. Do the big providers like YouTube have …

I recently heard a story about the power of captioning and translation that I wanted to share. By way of background, I was writing a story about cloud encoding, talking to various users to learn why they choose to encode in the cloud, rather than on premise. One of the companies I spoke with was Dotsub, which provides captioning and …

The thing about webinars produced from your desk is that they seem to invite you to use poor quality gear. Yeah, you could setup an external microphone, but that mic on your webcam is just sooo convenient. Or, you think that a $15 lavaliere mic from Amazon will provide the absolute quality boost that you need. Whenever you consider what …

Streaming producers have an array of camera options, from the cameras in their smartphones to professional models costing four figures or more. In this article, we’ll identify the major camera categories; discuss their strengths, weakness and best use cases; and features to look for when choosing a camera within the category. While there are dozens, if not hundreds, of cameras …

One of the benefits of HEVC is supposed to be that it delivers the same quality of H.264 at 50% of the data rate. However, since there’s little data rate standardization, it’s tough to tell what that means. After all, it means one thing if you produce your H.264-encoded H.264 video at 2 mbps, quite another at 3.5 mbps. I’m …

New online training workshop helps Adobe Creative Cloud producers efficiently encode top-quality video for streaming, mobile and optical media Galax, VA – May 28, 2014 – The Streaming Learning Center announces the immediate availability of an 80-minute training course entitled Mastering the Adobe Media Encoder CC. The course costs $25.00 and is available now at Udemy. Check below for a special …

One of the most popular downloads from the Streaming Learning Center was our original streaming media primer. Now we’re releasing a new primer, covering the materials shown in the table of contents below. The primer is a component of my new Udemy course, Mastering the Adobe Media Encoder. It started out as a document to explain most of the terms …

My latest column in Streaming Media Magazine; Here’s the lead.  There’s a lot of interest in ultra-high definition (UHD) video, and the two codecs that drive it, HEVC and VP9. Over the past few months, a new UHD codec called Daala has also come to the fore. I wanted to take this opportunity to update the status of HEVC and …

You can financially justify the expenses surrounding webcasting in multiple ways. First, streaming media can provide a cheaper alternative to an existing practice. Second, it can open new revenue opportunities. Finally, it can allow you to extend your marketing reach beyond what was available using traditional technologies. This article, entitled The ROI of Enterprise Webcasting: Justifying the Expense, presents  six …