This is the first in a series of video tutorials on producing H.264, in this case detailing how to do so using the Adobe Media Encoder. Here's some  background information explaining some of the encoding decisions made in the tutorial. Firs

I was reading through some material on Adobe's web site (specifically, here) and noticed the following table, which I've copied verbatim, along with the explanatory note. Citing an August, 2008 IDC study that's referenced below, the table states that

A few months ago, I ran some Adobe Creative Suite 4 (CS4) benchmarks on different computers that isolated how CS4 performed with formats ranging from DV to Red. Now that Intel’s Nehalem processor is upon us, those numbers are obsolete, so I’m updating them with results from two Nehalem-based workstations that I’ve been testing. In this installment, I’ll explain the tests and share DV and …

How to produce H.264 video

I found this snippet on the Really Practical Marketing website. It's third hand information, but it shows the results of some user polls taken by online video company Vzaar. Specifically, Vzaar polled their customers on how using streaming video impr

This page discusses how to compute the optimal data rate for your streaming video.

We like to drink our own Kool-Aid in the streaming video business, and most of us tended to accept the increasingly hyperbolic streaming video viewing numbers as fact. Well, Nielson funded a research study to the tune of $3.5 million that actuall

H.264 CABAC CAVLC profiles levels encoding scalable video coding AVC playing back H.265

In the first installment for this month, I looked at Telestream’s new Episode Pro for Windows, detailing the interface, I/O, and preview function. This time out, we’ll look at encoding quality, performance, and compatibility. Let’s jump right in with Blu-ray and DVD. Figure 1. MPEG-2 encoding parameters in Telestream Episode Pro. DVD/Blu-ray Episode Pro offers only two Blu-ray presets—one for …

In addition to the deinterlacing issue discussed here, Squeeze 5.0 also suffered two H.264 encoding problems. One related to very ugly key frames like those shown in Figure 1. On the left, you see the poor quality frames incident to Squeeze 5.0. S