If you work with interlaced source footage, the quality of your deinterlacing filter is one of the key components to final compressed quality. Unfortunately for Sorenson Squeeze users, the quality of Squeeze's deinterlacing filters prior to version 5

I recently gave a half-day seminar to the greater Wisconsin chapter of the Media Communications Association—International, and I devoted the last hour to creating effective marketing videos for businesses and other organizations. In pulling

I just got back from a wonderful trip to Streaming Media East, where I gave two presentations. The first was a 3 hour session on producing H.264 video, here's the agenda. In particular, note the comparisons of H.264 codecs, which you'll find he

Galax, VA- Streaming Learning Center announces two one-week streaming production courses to be taught by Jan Ozer of streaminglearningcenter.com and produced by Digital Media Academy. The two hands-on courses, to be held at Stanford U

It's been impossible not to notice the increase in the number of internet video viewers and the increased length of time they spend watching. Still, a look at the actual numbers, and the impact on advertising, is profound. You can learn all about thi

On March 30, 2009, Hewlett Packard announced three new workstations that leverage Intel’s new Nehalem line of CPUs. To assess the significance of these new computers to the streaming market, I tested two Nehalem-based systems against

Welcome back to our presentation of how HP’s new Intel Nehalem-based workstations compare to older workstations when rendering from Adobe Creative Suite 4 (CS4). Briefly, in the last installment, I detailed the tests that I performed, and discussed the results for DV and HDV source materials. This time out, I present the results for DVCPRO HD, AVCHD, and Red and share how the Z400 and Z800 performed with Hyper-threaded …

In April, 2009, I gave a half day seminar before the Greater Wisconsin Chapter of the Media Communications Associates, International. I spent the fourth hour describing how video is being used by organizations to market their products and

Many digital shooters started with DV video, which hammered the nail in the analog video coffin and democratized video production by dropping the price of capturing very good video from $25,000 (BetaSP camera and deck) to well under $4,00

Every spring I speak at Streaming Media East in New York City. Usually, I do a 3-hour, tech-heavy seminar on streaming production or the current state of the codec market, plus a 1-hour discussion on an equally weighty topic. This year I decided t