One frustration of writing books for developers is that they’re not the most prolific group when it comes to writing book reviews (or, well, at least not for my books). So it’s always cause for celebration when a review posts, especially when the review accurately captures the value I was hoping to deliver with the book. So…
Here’s the description; download handout below. T101. HOW-TO: Fine-Tuning Your Adaptive Encoding Groups With Objective Quality Metrics Tuesday, November 13: 10:30 a.m. – 11:15 a.m. Choosing the number of streams in an adaptive group and configuring them is usually a subjective, touchy-feely exercise, with no way to really gauge the effectiveness and efficiency of the…
Here’s the class description; download link below. With the speed of technology today, one of the most important parts of software is adaptability. By taking control of your own encoding and packaging, you can greatly reduce cost and maintain high adaptability and agility to meet your needs now and in the future. When working with…
W4. Encoding Live & VOD For HEVC/HLS Monday, November 12: 1:30 p.m. – 4:30 p.m. Apple’s support for HEVC in HLS is a groundbreaking event that opens up hundreds of millions of HEVC capable players. If supporting this spec is on your short-term development schedule, check out this workshop. The workshop starts by reviewing the…
I have a confession to make. Though I’ve attended dozens of Streaming Media conferences, I’ve never attended a kickoff session. Not, of course, because the content wasn’t information and insightful, but because I’m always scurrying about trying to finish my own presentations. This dubious accomplishment ends at Streaming Media West next month, when Roger Pantos,…
I’ve been pondering what drives codec adoption since I joined compression company Iterated Systems back in 1993. Tonight, I have the opportunity to explore the subject in detail at a meetup sponsored by Bitmovin as an adjunct to the Demuxed conference here in San Francisco. Entitled The Battle of the Codecs: AV1 vs VVC, the…
A recent consulting project involved computing the VMAF, SSIM, and PSNR scores of 30 fps 480p video encoded from a 60 fps 1080p source file. I’ve not performed measurements like this in the past and assumed that simply converting the 60 fps sources file to 30 fps via the “-r” option would convert from 60…
I’m releasing the 2018 update to my book Learn to Produce Video with FFmpeg in 30 Minutes or Less, and you can download a chapter for free below. It’s Chapter 4 on bitrate control techniques which includes constant bitrate encoding (CBR), variable bitrate encoding (VBR), Constant Rate Factor (CRF), and Capped CRF. As with all chapters,…
There are two mostly vestigial problems that I didn’t address in Learn to Produce Video with FFmpeg in 30 Minutes or Less because so few people encounter them. These are deinterlacing and aspect ratio mismatches. Now I’m writing a textbook with a greater scope, so I had to learn how to deal with both in…
This is the second in a five-part series on how to cut your encoding and streaming costs. The first article was Saving on Encoding: Adjust Encoding Configuration to Increase Capacity. Article summary: Capped CRF encoding is a single-pass encoding method that can save encoding costs compared to two-pass VBR. Capped CRF is also a simple per-title…