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HP invited a bunch of journalists, myself included, out to visit their facility in Fort Collins, CO, the headquarters for workstation design, support and marketing. Beyond the desire to meet and greet friends old and new, I had one goal – to learn what makes a computer a workstation. To explain, in the bad old days, workstations had proprietary RISC …

Here’s the description of the presentation that I just gave at StreamingMedia West. You can download the PDF below. Enjoy! This seminar focuses on producing H.264 video  for streaming or progressive download. It starts with a deep look at key H.264 encoding parameters like B-frames, profiles, and levels and how to customize encoding parameters for distributing via QuickTime and Flash. …

I just finished my H.264 vs. WebM Bakeoff presentation – you can download the PDF below. You’ve heard the hype about VP8, but how does it really compare to H.264? This session compares quality, encoding speed, and playback requirements. It also details access to VP8 encoding from within live and on-demand encoding tools, the availability of hardware playback acceleration, and …

Microsoft Silverlight has been very noticably used by NBC (Olympics/Sunday Night Football), but never achieved the penetration necessary for smaller businesses to adopt it. The thing is, while the sizzle behind Silverlight has always been video (as with Flash), the steak has always been Rich Internet Applications, and more specifically, the tools that developers use to build them. In my …

I gave two presentations at Streaming Media Europe last week, one a three hour presentation on producing H.264 for Flash, Silverlight, QuickTime and HTML5, the other a 30 minute short course on producing H.264. Both presentations are attached hereto. Here’s the agenda from the longer presentation. Most notable are new performance stats that I collected for H.264 playback on files …

So there I was, struggling for an idea for a column, and editor Stephen Nathans-Kelly mentioned that there was growing interest in distributing HD wedding videos to clients over the internet. Fortunately, this dovetailed well with some research that I recently performed, so here we are. If you’re considering distributing some or all of your wedding or event-related content over …

If you’re shooting in 24p, you should deliver your projects in 24p. This sounds obvious and simple, but it can get surprisingly complex depending upon your choice of encoding and authoring tool. I just spent 2 weeks comparing MPEG-2 encoders, and I saw a surprising difference in quality and ability to deliver 24p footage that Apple’s DVD Studio Pro could …

I was preparing for a webinar last week and scanned 46 websites to see how many used HTML5 as the primary playback option for video. This was a mix of media sites (14), business to consumer sites (22) and business to business sites (10). The answer was 1 – Wikipedia – with YouTube offering HTML5 as an alternative to Flash. …

You’ve got an H.264-based MOV file that you want to use for Flash production, but it won’t load into Flash or Flash Catalyst. Can you simply change the extension from MOV to F4V? If you’re encoding the file, should you choose None, Fast Start or Fast Start – Compressed Header when producing for progressive download. Read on for the answers …

If you’re looking for the highest quality H.264 output, and encode on the Apple platform, you should try the x264Encoder encoder, which you can download here. This article contains comparison images that accompany my comparison review for Digital Content Producer (link to come). This review debuts a new streaming test video comprised of clips from stock footage company Artbeats and …