Articles

This article is the first of a series on configuring your Windows workstation for producing with Adobe CS 5.5. The focus of this particular article is buying a single CPU vs. dual CPU system for producing with Premiere Pro and Adobe Media Encoder. I’ll also cover whether it makes sense to enable or disable HTT (hyper-threaded technology) when available on …

I produced a DVD in 2008 called Critical Skills for Streaming Producers, in conjunction with Streaming Media Magazine. The product is now out of date and off the market, but some of the videos included with the tutorial still have some real value. In particular, the five videos relating to lighting for streaming are still pretty useful. So, I’ve decided …

My presentation on encoding for adaptive streaming from Streaming Media East 2011 is available, here's the description from the program: How To: Encoding for Adaptive Streaming This seminar identifies the most relevant adaptive streaming technologie

I spoke on encoding for HTML5 distribution at Streaming Media East 2011, you can watch the video and download the presentation slides by clicking over to the main article. Here's the description from the conference program: How To: Encoding Video For

My presentation at Streaming Media East 2011 on Encoding for iDevices is up. Here's the description; click over to the main article to watch the video and download my handouts. How To: Encoding Video for iDevices This seminar starts by detailing the

One of my favorite features in Adobe Creative Suite 5.5 is the return of Adobe Audition. In this tutorial, I detail the round trip editing workflow between Premiere Pro and Audition. Roundtrip Audio Editing Workflow: Adobe Premiere Pro and Audition CS5.5 from EventDV on Vimeo.

Here’s an excerpt from my (Jan Ozer) new book, Video Compression for Flash, Apple Devices, and HTML5. It’s important to recognize that when you deliver video over the Internet, you have multiple options, including streaming, progressive download, and adaptive streaming. Note that the mode you choose may have a significant impact on how you produce your files. Streaming Experientially, the …

I recently produced a webinar for Broadcast Engineering Magazine where I compared the quality of the same test footage encoded using the H.264 and MPEG-2 codecs. Since most production encoding in the broadcast space is live, I used encoding using constant bit rate encoding and limited both codecs to the Main profile, since not all playback devices support the high …

Here are some resources discussed in my Sonic Foundry Webcast. Presentation in PDF format Planning mindmap Background checklist Clothing checklist Flat lighting tutorial Three-point lighting tutorial Shooting skills tutorials (including controlling exposure)

I produced a video for EventDV on new features in Adobe Media Encoder CS5.5. Here’s the official description: Video production and compression expert Jan Ozer takes a look inside Adobe Media Encoder CS5.5, exploring new features such as new presets and project drag-and-drop from After Effects and Premiere Pro and explaining how to use new features such as Watch folders …