Ozer is a leading expert on H.264, H.265, and VP9 encoding for live and on-demand production. In his consulting practice, Ozer helps streaming publishers produce highly optimized and deliverable streams and to choose encoders, transcoders, and workflows that optimize cost, efficiency and flexibility. Ozer is the owner of the Streaming Learning Center and is a contributing editor to Streaming Media Magazine.

Ozer Updates FFmpeg Book

FOR IMMEDIATE RELEASE Media Contact: Jan Ozer 276-235-8542 janozer@gmail.com www.streaminglearningcenter.com OZER UPDATES LEARN TO PRODUCE VIDEO WITH FFMPEG IN 30 MINUTES OR LESS Adds instruction on packaging with Bento 4, encoding and packaging HEVC for HLS, and Live H.264, HEVC, and VP9 transcoding Galax, VA, August 10, 2018 — Doceo Publishing today announced the 2018…

Saving on Encoding and Delivery: Dynamic Packaging

This is the third in a five-part series on how to cut your encoding and streaming costs. The first article was on Adjusting Encoding Configurations to Increase Capacity, while the second was on Deploying Capped CRF Encoded videos. You can dramatically reduce net encoding and storage costs by implementing dynamic packaging for your live or VOD…

Sorenson Squeeze RIP

Sorenson Squeeze was one of the first encoding tools that many streaming professionals used and now it’s officially end-of-lifed as you can see from the featured image atop this page (from here). It’s not really a surprise; in 2015, I interviewed new Sorenson CEO Marcus Liassides who described how Sorenson would be focusing on building tools…

Choosing a Cloud or On-Premise Encoder

As corporations move their compute resources into public and private clouds, and other virtual environments, most encoding vendors are doing the same with their encoders, though not all markets are moving at the same speed. In my Streaming Media article, A Hybrid Approach Guides the Changing Face of On-Prem Encoding, I spoke with about 13 vendors,…

Codec Overview on Streaming Media Website

AV1 has been all consuming from a mindshare perspective for many streaming professionals, but the fact of the matter is that unless you’re distributing stream quantities on par with Netflix, YouTube, Amazon, and Hulu, AV1 won’t be relevant for at least two years, maybe longer. I discuss why in my Streaming Media article, Return of the…

Crunch Technology Shines in Per-Title Comparison

If you’ve been following my work, you know that I’m very bullish on per-title encoding and optimization technologies, and have reviewed them several times. One technology that I haven’t tested before is from Crunch Media Works, which offers video optimization tools that can be used on public and private computer servers, as well as mobile…