So, the object of the exercise is a single FFmpeg script that encodes your files and creates the necessary master and media playlists. I took an initial stab here, but wound up with a script, “as ugly as someone else’s baby, particularly the need to duplicate the input file four times for the four streams.” Again through the hard work …

I’m pulling together some materials for my pre-conference session at Streaming Media West (November 18-20 in Los Angeles) entitled Introduction to ABR Production and Delivery. One lesson shows the technology ecosystem needed to implement OTT streaming and identifies key vendors for each function. I figured I’d throw these slides out there to get comments on the topics covered (and not …

Reviewer Ian Kennedy recently reviewed Learn to Produce Video with FFmpeg on Amazon, and he hit the nail on the head in his five-star review, saying: Who this book is for: 1) The decision maker who may be skeptical about using FFmpeg in a production environment compared to a turn-key commercial solution. 2) The video-adjacent engineer who has been asked …

So, there I was downloading videos from YouTube to include in a PowerPoint for a training course I was producing. Unfortunately, my download tool, wondershare’s excellent video converter, downloaded separate audio and video streams, the video in an MP4 wrapper and the audio as an MP3 file. So I had to mux the two to input them into PowerPoint. A …

All codecs and encoding tools have a configuration option that controls the quality/encoding time tradeoff. With x264 (and x265) the preset controls that tradeoff. When choosing a preset you should consider 3 criteria: Overall quality – the overall quality produced by that preset Low frame quality – the quality of the lowest frame produced by that preset, which indicates the …

Streaming Media West is coming up next month in the City of Los Angeles (as opposed to Huntington Beach where it’s been the last few years). Specifically, it’s at the Westin Bonaventure on November 19-20 (Tuesday/Wednesday) with pre-conference sessions on Monday the 18th. I’ll be my normal busy self with two pre-conference sessions and several presentations. Here are the dates, …

Many producers distribute the same encoding ladder to all viewers. However, sending a 1080p stream to smartphone viewers may be a waste of bandwidth as both SSIMPLUS and VMAF scores reveal that lower resolution, lower-bandwidth videos deliver similar quality at a lower cost. This tutorial, from my course Computing and Using Video Quality Metrics, shows you the tests I performed …

On August 12, 2019, I reported in Streaming Media Magazine that the hugely unpopular MPEG LA DASH Pool might be shutting down. I shared what was purported to be a draft letter from MPEG LA President Larry Horn to pool members which stated the following: “Regrettably, with more than one year’s experience marketing the DASH License according to its revised …

Announcing a new online course entitled, Computing and Using Video Quality Metrics: A Course for Encoding Professionals. The course contains over four hours of video instruction and costs $99.95. The course teaches you how to choose, compute, and interpret video quality metrics like VMAF, SSIMPLUS, PSNR, and SSIM. Here are some of the key items you will learn. The pros and …

Derrick Freeman is a luminary in the Streaming Video world, an expert on Wowza Streaming Engine and Telestream Wirecast (among other products) who has consulted with and instructed dozens of companies, universities, and other organizations. When Derrick needed to learn how to use FFmpeg, he purchased a copy of my book, Learn to Produce Video with FFmpeg in 30 Minutes …