Attendees will learn how to optimize quality for their target playback platforms while conforming to the requirements of their chosen streaming technology. The session starts with an overview of H.264-specific encoding parameters, especially profiles and levels, and a discussion of details like B-frame interval and CABAC/CAVLC. It then examines the platform-specific requirements of producing for Flash and QuickTime distribution.

Encoding H.264 for Streaming and Progressive Download – StreamingMediaWest – 2008

http://www.streamingmedia.com/west/presentations/SMWest2008-H264.pdf

About Jan Ozer

Avatar photo
I help companies train new technical hires in streaming media-related positions; I also help companies optimize their codec selections and encoding stacks and evaluate new encoders and codecs. I am a contributing editor to Streaming Media Magazine, writing about codecs and encoding tools. I have written multiple authoritative books on video encoding, including Video Encoding by the Numbers: Eliminate the Guesswork from your Streaming Video (https://amzn.to/3kV6R1j) and Learn to Produce Video with FFmpeg: In Thirty Minutes or Less (https://amzn.to/3ZJih7e). I have multiple courses relating to streaming media production, all available at https://bit.ly/slc_courses. I currently work as www.netint.com as a Senior Director in Marketing.

Check Also

All Encoding Decisions Are Economic Decisions. It’s Time to Start Treating Them Accordingly

You think you know RD Curves. You think you know encoding ladders. I’m here to …

SLC Bitrate Explorer: Encode Verification for Professionals

I spent 30 years assessing and interpreting codec quality. Here’s the tool I built to …

Access Advance vs. Avanci Video: How the Streaming Programs Calculate Royalties

This report illustrates and compares the royalty calculations of two patent licensing programs, Access Advance’s …

Leave a Reply

Your email address will not be published. Required fields are marked *