Just got a short and sweet five star review on Amazon for Producing Streaming Video for Multiple Screen Delivery. Here’s a screen grab. Ah, nothing does an author’s heart more good than to see a review like that. Thanks for taking the time to share, Alex.  

Anytime a new codec is released, there are inevitable compatibility issues. Panasonic got bit first when one of their models proved incompatible with Netflix, with no fix available, now or ever. Beyond simple codec incompatibilities, there are several other issues to watch for when buying a UHD set, and some steps you can take to improve its longevity. I detail …

The more I think about MPEG LA’s proposed HEVC royalty policy, the more I think it’s flawed, primarily because there’s no incentive for Adobe to pay $25 million to add HEVC playback to Flash. Why is this important? Because Flash is still the only delivery technology that can reach 95%+ of desktops and notebooks in a few months after the …

The DASH standard (Dynamic Adaptive Streaming over HTTP) is increasingly being implemented by premuim content distributors, though deployment is added on a device or platform-specific basis. In this transcribed interview between Streaming Media’s Senior Associate Editor Troy Dreier, and Baptiste Courdurier, a software development Lead for Hulu, you can read how Hulu is using DASH and why. Here’s an except.  …

I got a email question yesterday that went like this: Please forgive me if this question sounds obvious but when I encode a master clip for different streaming outputs (using AME C6) I end up with a different file for each separate outlet. A file for YouTube, a file for the iPad etc. Do the big providers like YouTube have …

I recently heard a story about the power of captioning and translation that I wanted to share. By way of background, I was writing a story about cloud encoding, talking to various users to learn why they choose to encode in the cloud, rather than on premise. One of the companies I spoke with was Dotsub, which provides captioning and …

The thing about webinars produced from your desk is that they seem to invite you to use poor quality gear. Yeah, you could setup an external microphone, but that mic on your webcam is just sooo convenient. Or, you think that a $15 lavaliere mic from Amazon will provide the absolute quality boost that you need. Whenever you consider what …

Streaming producers have an array of camera options, from the cameras in their smartphones to professional models costing four figures or more. In this article, we’ll identify the major camera categories; discuss their strengths, weakness and best use cases; and features to look for when choosing a camera within the category. While there are dozens, if not hundreds, of cameras …

One of the benefits of HEVC is supposed to be that it delivers the same quality of H.264 at 50% of the data rate. However, since there’s little data rate standardization, it’s tough to tell what that means. After all, it means one thing if you produce your H.264-encoded H.264 video at 2 mbps, quite another at 3.5 mbps. I’m …

New online training workshop helps Adobe Creative Cloud producers efficiently encode top-quality video for streaming, mobile and optical media Galax, VA – May 28, 2014 – The Streaming Learning Center announces the immediate availability of an 80-minute training course entitled Mastering the Adobe Media Encoder CC. The course costs $25.00 and is available now at Udemy. Check below for a special …