This was a pre-conference workshop; here’s the description, download the handout below. Note that there are two sets of handouts, one from Jan, the other from RealEyes. W3. Encoding Live & VOD For HEVC/HLS Monday, May 7: 1:30 p.m. – 4:30 p.m. Apple’s support for HEVC in HLS is a groundbreaking event that opens up hundreds of millions of HEVC-capable players. …

Another of my sessions at Streaming Media. Here’s the description, download PDF below. T203. HOW-TO: Comparing Per-Title Encoding Options Wednesday, May 9: 1:45 p.m. – 2:45 p.m. Per-title encoding techniques customize the encoding ladder to match the encoding complexity of the source, saving bandwidth on easy-to compress videos and ensuring the quality of more complex footage. Codec specialist Jan Ozer …

One of my sessions at Streaming Media East. Here’s the description; download the handout below. T102. HOW-TO: Comparing AV1, VP9, HEVC, & H.264 Tuesday, May 8: 11:45 a.m. – 12:30 p.m. Many content distributors and aggregators still use H.264 as their primary, if not exclusive, codec, but the bandwidth savings promised by newer, more powerful codecs are alluring. Those considering …

One of my three sessions at Streaming Media East. Here’s the description; link to handout below. Note: one issue that came up during the discussion was the ability for systems to handle multiple language and captions. After the presentation, I heard from a representative from Go Easy Live who stated, “As additional informational, I confirm that we are able to …

My first presentation at Streaming Media East. A complete lesson-based rewrite from previous workshops. Here’s the description, the download link is below. As video resolutions increase and target playback platforms multiply, video producers must leave their H.264/HLS/HDS comfort zone and expand into HEVC, VP9, and MPEG-DASH. This workshop is divided into multiple segments by target platform to teach you the …

I know time is short, but I’ve gotten in touch with most vendors that offer this feature and am posting this (and using social media) so the word is out. Anyone who wants to participate, there’s still time. Here’s the description of the session: T203. HOW-TO: Comparing Per-Title Encoding Options Wednesday, May 9: 1:45 p.m. – 2:45 p.m. Per-title encoding …

While at NAB, I produced a short video with Beamr CTO Dror Gil and Dirk Griffioen from Unified Streaming, which sells a variety of streaming-related software, including modules for ABR packaging. The primary topic was encoding and packaging with HEVC in HLS. Dror also gave a brief demo of Beamr’s new Transcoder product. During the talk, we covered sub-topics like the suggested encoding …

While at NAB, I freelanced with my iPhone X, a video light, and a handheld microphone and interviewed 14 encoding professionals. These videos are posted on Streaming Media website along with text transcripts. Here are links to and brief descriptions of the interviews: Netflix’s Anne Aaron, on Netflix’s plans for the AV1 codec. AOMedia executive (and Microsoft employee) Gabe Frost, on …

From a Streaming Media perspective, NAB 2018 was all about the launch of the AV1 codec from the Alliance for Open Media. While at the show, I spoke with many different people from many different companies about the launch, and about other codec-related announcements at the show. You can read all about that in my article entitled, NAB Roundup: The …

Description: Choosing the number of streams in an adaptive group and configuring them is usually a subjective, touchy-feely exercise, with no way to really gauge the effectiveness and efficiency of the streams. However, by measuring stream quality with metrics such as CRF, PSNR, Spherical PSNR, Weighted Spherical PSNR, and VMAF, you can assess the quality delivered by each stream and its …