We have been huge proponents of per-title encoding since its inception in 2015. Boy, has it come a long way. In this Streaming Media article, I recount the history of per-title encoding and trace its advancement from single file optimizations that could adjust only file data rate to AI-driven adjustments that can change resolution, data rate, frame rate, codec, color gamut, and even choose between HDR and SDR. If you’re considering developing or implementing per-title encoding, this article will provide the background to make a great decision.
Tags advancements of per-title encoding AI-driven encoding adjustments codec developing per-title encoding encoding HDR history of per-title encoding implementing per-title encoding per-title encoding SDR
Check Also
Five Codec-Related Techniques to Cut Bandwidth Costs
The mandate for streaming producers hasn’t changed since we delivered RealVideo streams targeted at 28.8 …
Single-Pass vs Two-Pass VBR: Which is Better?
Let’s start this article with a quiz regarding how the quality and encoding speed of …
My FFmpeg-Related New Year’s Resolution: Document Before I Test
My typical workflow for testing-related articles and reports is to create the command string, run …