Tag Archives: codec

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How to Choose Your Bitrate Control Technique

This article is derived from a lesson in Streaming Media 101: Technical Onboarding for Streaming Media Professionals. If you’re looking for an efficient way to get up to speed on key streaming terms, technologies, workflows, and best practices, check out the course here.  Every time you encode a video file with a distribution-oriented codec like H.264, HEVC, VP9, or AV1, …

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AV1 Codec: AOMedia Video 1 Explained

This article on the Wowza website provides a quick overview of the AV1 codec: what it is, how it performs, what it costs, and what it’s good for today. It’s useful if you want to get a quick feel for where AV1 fits in with other codecs. The article is the fourth in a five-part series that covers H.264, VP9, …

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H.265 Codec: High Efficiency Video Coding (HEVC) Explained

This article on the Wowza website provides a quick overview of the HEVC codec: what it is, how it performs, what it costs, and what it’s good for. It concludes with a section on what you need to know to effectively deploy the HEVC codec using the Wowza Streaming Engine software. The article is the third in a five-part series …

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MediaInfo and BitRate Viewer – Essential Tools for Video Analysis

Streaming producers need tools to explore different encoding options and verify their work. Here are two free Windows tools that I couldn’t live without. MediaInfo MediaInfo is a video analysis tool that displays the most significant data points regarding a video file, including resolution, data rate, codec, bit depth, frame rate, duration, etc. It’s available for download here, and there …

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VP9 Codec: Google’s Open-Source Technology Explained

This article on the Wowza website provides a quick overview of the VP9 codec: what it is, how it performs, what it costs, and what it’s good for. It concludes with a section on where you should consider deploying VP9 and what you need to know to effectively deploy the codec. The article is the second in a five-part series …

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Per-Title Encoding Article up on Streaming Media Magazine

We have been huge proponents of per-title encoding since its inception in 2015. Boy, has it come a long way. In this Streaming Media article, I recount the history of per-title encoding and trace its advancement from single file optimizations that could adjust only file data rate to AI-driven adjustments that can change resolution, data rate, frame rate, codec, color …

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