Codec Overview on Streaming Media Website

AV1 has been all consuming from a mindshare perspective for many streaming professionals, but the fact of the matter is that unless you’re distributing stream quantities on par with Netflix, YouTube, Amazon, and Hulu, AV1 won’t be relevant for at least two years, maybe longer. I discuss why in my Streaming Media article, Return of the Codec Wars: A New Hope—a Streaming Summer Sequel.

The above table from the article gives you a color-coded reason why – just too many reds and oranges, not enough greens (click the table to view it at full resolution).

If you’re wondering about the strengths and weaknesses of H.264, HEVC, VP9, and AV1, click over and read the article.

About Jan Ozer

Avatar photo
I help companies train new technical hires in streaming media-related positions; I also help companies optimize their codec selections and encoding stacks and evaluate new encoders and codecs. I am a contributing editor to Streaming Media Magazine, writing about codecs and encoding tools. I have written multiple authoritative books on video encoding, including Video Encoding by the Numbers: Eliminate the Guesswork from your Streaming Video (https://amzn.to/3kV6R1j) and Learn to Produce Video with FFmpeg: In Thirty Minutes or Less (https://amzn.to/3ZJih7e). I have multiple courses relating to streaming media production, all available at https://bit.ly/slc_courses. I currently work as www.netint.com as a Senior Director in Marketing.

Check Also

Deep Thoughts on AI Codecs and Encoders

This post focuses on AI in preprocessing and encoding products. I’ll examine two aspects: how …

New Lesson: AI in Video Encoding, Production, and Customer Experiences

I just posted a new lesson to the Streaming Media 101 course on AI in …

Codec Update for Streaming Media 101 Course

I’ve just posted a major codec update to my course, Streaming Media 101: Technical Onboarding …

Leave a Reply

Your email address will not be published. Required fields are marked *