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Jan Ozer

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I help companies train new technical hires in streaming media-related positions; I also help companies optimize their codec selections and encoding stacks and evaluate new encoders and codecs. I am a contributing editor to Streaming Media Magazine, writing about codecs and encoding tools. I have written multiple authoritative books on video encoding, including Video Encoding by the Numbers: Eliminate the Guesswork from your Streaming Video (https://amzn.to/3kV6R1j) and Learn to Produce Video with FFmpeg: In Thirty Minutes or Less (https://amzn.to/3ZJih7e). I have multiple courses relating to streaming media production, all available at https://bit.ly/slc_courses. I currently work as www.netint.com as a Senior Director in Marketing.

Catching Up with VVC

VVC is one of the three codecs to be launched by MPEG in 2020. I wrote about VVC extensively here (business side) and here (technical side), and wanted to provide some quick updates. By way of background, codecs have two sides, the performance side, and the business side. In this short article, I’ll address both. Fraunhofer’s VVenC Sets New Standards …

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Another Five-Star Review for Streaming 101 Course

Pleased to share another five-star review of my online course Streaming Media 101: Technical Onboarding for Streaming Media Professionals. As the course tagline details, “This course teaches the fundamentals and skills necessary to succeed in a streaming media-related job, whether you’re producing and distributing streaming media or creating the tools, technologies, and services necessary to do so.” A recent student, …

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How to Create a New Video Encoding Command String in 11 Simple Steps

I’ve spent the last two months testing four AV1 codecs accessible via command-line arguments and I start testing VVC codecs next week. Trying to fairly and accurately test the capabilities of these codecs turned out to be a pretty grueling and messy task. The key challenge, of course, was creating the optimal video encoding command string for each codec. While …

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Streaming Media Bootcamps at Streaming Media West

I’m teaching two boot camps (virtually) at Streaming Media West, one for VOD and the other for live streaming; each costs $199. The courses are designed for newbies who need to get up to speed quickly on these topics. Here’s the information for both. W1. Streaming Media Bootcamp, Part 1: Encoding, Packaging, And Delivery For VOD Monday, October 5: 8:00 …

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Video Quality Metrics: One Number Doesn’t Cut It

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Webinar: Choose and Use the Best AV1 Codec

Jan Ozer here. I spent the last 2 months working with four AV1 codecs, benchmarking them against each other and x264 and x265. I’m presenting my findings in this for-fee 75-minute webinar ($149.99).  There are two parts; the first shares what I learned about the codecs, and the second details what I learned about encoding with them and creating the …

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Bash Scripting with Wildcards for FFmpeg on Ubuntu and Mac

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Lesson of the Week: Set I-frame Interval in Seconds not Frames

This lesson is derived from my book, Learn to Produce Videos with FFmpeg In 30 Minutes or Less ($34.95), and my course, FFmpeg for Adaptive Bitrate Production ($29.95)  (which includes a PDF copy of the book). Don’t just learn FFmpeg; become an expert in video compression.  Overview: Setting your I-frame interval in seconds rather than frames allows you to use …

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Introducing ITU-T Metrics P.1203 and P.1204

While standards-based video codecs like H.264 and HEVC tend to dominate, standards-based video quality metrics have never risen to the same usage or attention level. With two innovative and highly accurate metrics now available from the ITU-T, this may change in the near term. Briefly, these models are: ITU-T Rec. P.1203, which calculates the quality of HTTP Adaptive Streaming (HAS) …

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Lesson of the Week: Compute VMAF with FFmpeg on Windows

Note: This update details how to compute VMAF with FFmpeg on Windows. From my perspective, this feature has gotten progressively less usable and increasingly frustrating. Documentation is poor and the syntax is idiosyncratic and hard to use. If you have any alternative, like Moscow State University’s Video Quality Measurement Tool, I would spend the money and get something that works …

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