Just finished a seminar on Encoding for iDevices. Here’s the description: This seminar starts by detailing the playback specs for all iDevices, old and new. Then, learn the strategies used by prominent iTunes publishers to serve the complete range of installed iDevices. Next, the seminar switches to cellular wireless delivery, with a technical description of Apple’s HTTP Live Streaming (HLS), …
Read More »Encoding for HTML5
Here in London speaking at Streaming Media Europe on encoding for HTML5. Here’s the seminar description: Learn the technological fundamentals behind encoding both H.264 and WebM formats for playback with the HTML5 tag. Find out more about the basics of H.264 and WebM encoding, and how to produce it for HTML5 distribution. In addition, see how the various H.264 and …
Read More »Handout for Encoding for Flash, Mobile and HTML5
In London, teaching this seminar: Learn the technological basics behind encoding for both H.264 and WebM formats. You'll learn how to encode H.264 for HTML5 distribution and streaming to iOS and other mobile devices, as well as how to encode it
Read More »Optimizing Brightness and Contrast in FCPX
The histogram and the waveform in Apple Final Cut Pro X are effective, easy-to-master tools that provide the clear input you need to diagnose and fix the contrast issues in your video simply and intelligently. In this video tutorial, video editing and encoding expert Jan Ozer explains how they work.
Read More »I’m Saying Adios to F4V
I’ve been working on a consulting project involving video on-demand adaptively distributed to Flash and iOS clients via the Adobe Media Server. The job is being run by John Simmer of Web Learning Solutions, and I was brought in by my buddy Stefan Richter of the TheRealTimeWeb.com. I was charged with creating presets for the various frame rates and aspect …
Read More »Choosing an Enterprise Encoder
Gave a presentation today to the Adobe Media Server Users group on choosing an enterprise encoder. To view the presentation itself, click here. You can download the 50+ page handout below. Here’s a description of the presentation. This session will discuss factors to consider when choosing enterprise video encoding systems from the likes of: Digital Rapids, Elemental, Harmonic, Sorenson, and …
Read More »Livestream Goes Completely Ad-Free, Even for its Free Service
Today, Livestream announced that all tiers of service on the new Livestream platform will be available on a completely ad-free basis immediately, including the free version. The company also pre-announced a new tier of service that will enable of liv
Read More »Configuring low data rate adaptive streams
When you configure a group of adaptive streaming files, you produce some files at relatively low data rates. With these files, you have several options to preserve quality, including lowering the resolution, the frame rate or both. Lower resolutions preserve frame quality but can look pixelated when scaled for display. Higher resolutions avoid scaling artifacts, but frame quality can suffer. …
Read More »Sorenson Announces Sorenson Squeeze Premium
On Monday, Sorenson Media announced the immediate availability of Sorenson Squeeze Premium for $1,995. What is it and how does it fit into the Squeeze Product family?
Read More »Brightcove Announces Live Cloud Transcoding and Instant Play
In separate announcements at IBC, Brightcove announced two new products from its recent acquisition of Zencoder -- Instant Play and LIve Cloud Transcoding -- and the availability of Widevine DRM encryption and packaging within its Video Cloud platfor
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