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Here’s the description: Learn the technological fundamentals behind encoding for both H.264 and WebM formats. You’ll learn how to encode H.264 for HTML5 distribution and streaming to iOS and other mobile devices, as well as how to encode it for Flash, including live, on-demand, and RTMP, as well as HTTP-based adaptive streaming. For WebM, you’ll learn the basics of on-demand …

Like old-time alchemists who turned base metals into gold, Elemental Technologies, Inc. converts industry-standard CPUs and GPUs into the hottest H.264 on-demand encoding box I’ve tested, with incomparable speed and quality that matches the bes

Steve Jobs was the greatest product innovator in the last couple of centuries, and his passing saddened me significantly. My appreciation goes back to his storied commencement address at Stanford University, which revealed him to be a deep and though

In this final segment of this series on the JStreet Making History convention webcast, we'll examine one aspect of webcast production that too often gets ignored: monitoring and controlling audio volume, which becomes a complex issue as speakers chan

Now that mobile devices are such an important target for most producers, does it make sense to start encoding all H.264 footage using the Baseline profile? From the tests that I performed this week, encoding all footage using this profile might save encoding and storage resources with minimal loss in quality. Gosh, it’s hard to remember a time when we …

While most live streaming service providers offer software encoders that integrate tightly with their service, Livestream is the first to offer a standalone H.264 hardware encoder that operates without a computer connection and can transmit via 3G/4G

So, Adobe announced that it will showcase Production Premium Creative Suite 6 at NAB prior to its official release sometime in the first half of 2012. What’s in it for you and me? Well, I worked on my first job with the beta and received a brie

Jan Ozer passes on several key tips on framing panels and applying the rule of thirds (and when to break it) gleaned from his recent gig webcasting the national J Street conference on Israeli-Palestinian relations.

Blackmagic Design's H.264 Pro Recorder ($499) performs a small set of functions reasonably well, including archiving footage to H.264 format at its native resolution and producing H.264 files for Apple TV, the iPad/iPhone 4, and uploading to YouTube

I've produced multiple webcasts, but they've been primarily small events produced locally, usually as a volunteer or to provide a testbed for video switching or encoding-related projects. When I was contacted by Brendon Winters, a principal of Event