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By now you’ve heard that there’s a new version of Final Cut Studio shipping from Apple, aptly called “the New Final Cut Studio.” What’s new? Well, it starts with a new price of $999, $300 less than Final Cut Studio 2. You can upgrade to the new suite from any previous version, even Final Cut Pro 1.0, for $299. All …

This video tutorial details how to use Telestream Episode Pro to produce H.264 video files for Flash distribution.

Over the next two or three years, streaming producers will be increasingly tasked supplying optimized video streams to devices as disparate as cell phones and set top boxes, along with different quality versions for users accessing the con

If you bought a camcorder ten years ago, chances were it was DV and stored its video on DV tape. Three years ago, it was likely HDV and DV tape. Today, it could be any one of five or six HD formats (AVCHD, HDV, DVCPRO HD, XDCAM HD, AVC-Int

Dicas produces the H.264 codec used by Telestream in most (if not all) of their encoding products, including Episode Pro and Episode Engine. On June 11, 2009, Dicas announced a new quality enhancing algorithm called dicasVICO that the company clai

This video tutorial details how to use Apple Compressor to produce H.264 video files for Flash distribution. Here's some  background information explaining some of the encoding decisions made in the tutorial. First, the project involved a concer

In Producing Screencams that Market and Sell, I described how to script, record, and edit a screencam presentation for fun or profit. In this article, I’ll detail which codec does the best job compressing screencams for internet delivery, wh

Screencams are a wonderful tool for demonstrating software operation. In many cases, producing them can almost be a real-time event—you capture and narrate simultaneously, import the result into Camtasia Studio, add titles and such, export t

I recently taught an H.264-specific class at Streaming Media East in New York. Though the class was 3 hours long, I can distill a bunch of useful knowledge into this column if you don’t mind missing the sample videos and example screens, not to mention the insightful and surprisingly compelling lecture. Let’s begin. H.264 is today’s “it” codec because it …

This is a peer review of streaming video produced by the Wine Library, written as a sidebar to a feature story by StreamingMedia.com. Here's the intro:As you’ve read in Troy Dreier's feature, the Wine Library's producer and star, Gary Vaynerch