Articles

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There’s Nothing Pro about Final Cut Pro X

Steve Jobs was the greatest product innovator in the last couple of centuries, and his passing saddened me significantly. My appreciation goes back to his storied commencement address at Stanford University, which revealed him to be a deep and though

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Live From J Street, Part 3: Monitoring Webcast Audio

In this final segment of this series on the JStreet Making History convention webcast, we'll examine one aspect of webcast production that too often gets ignored: monitoring and controlling audio volume, which becomes a complex issue as speakers chan

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H.264 in a Mobile World: Adios to the Main and High Profiles?

Now that mobile devices are such an important target for most producers, does it make sense to start encoding all H.264 footage using the Baseline profile? From the tests that I performed this week, encoding all footage using this profile might save encoding and storage resources with minimal loss in quality. Gosh, it’s hard to remember a time when we …

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Livestream: No Computer Required

While most live streaming service providers offer software encoders that integrate tightly with their service, Livestream is the first to offer a standalone H.264 hardware encoder that operates without a computer connection and can transmit via 3G/4G

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Adobe Premiere Pro CS6: An Essential Upgrade

So, Adobe announced that it will showcase Production Premium Creative Suite 6 at NAB prior to its official release sometime in the first half of 2012. What’s in it for you and me? Well, I worked on my first job with the beta and received a brie

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Live from J Street, Part 2: Framing Tips for Conference Shooters and Webcasters

Jan Ozer passes on several key tips on framing panels and applying the rule of thirds (and when to break it) gleaned from his recent gig webcasting the national J Street conference on Israeli-Palestinian relations.

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Blackmagic H.264 Pro Recorder: High Quality, Frustrating Limits

Blackmagic Design's H.264 Pro Recorder ($499) performs a small set of functions reasonably well, including archiving footage to H.264 format at its native resolution and producing H.264 files for Apple TV, the iPad/iPhone 4, and uploading to YouTube

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Live from J Street, Part 1: Webcasting the National J Street Conference

I've produced multiple webcasts, but they've been primarily small events produced locally, usually as a volunteer or to provide a testbed for video switching or encoding-related projects. When I was contacted by Brendon Winters, a principal of Event

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Buyer’s Guide: Cameras

When it comes to producing video for streaming, choosing the right camera is Priority #1. The challenge is to choose the camera that is right for your application, at the right price, without short-changing your ability to do better work in the futur

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Buyer’s Guide: Live Streaming Services

If you can turn on the webcam on your notebook, live streaming service providers can convert this input into a full-featured live streaming experience that you can share with a few close friends or a global audience. With multiple service providers a

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