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Adobe's plans for Primetime highlight both the strengths and limitations of HLS and DASH, as well as the fact that Flash isn't going away anytime soon

I was the opening act for NAB 2013, speaking at at 8:00 AM on Saturday morning for the Society of Broadcast Engineers (SBE). The talk was on Producing for Multiple Screen Delivery and a surprisingly enthusiastic group of around 300+ broadcast engineers showed up despite the hour (you can download the handout below). Not to boast, but I’ll share a …

Small and affordable, the VidiU lets broadcasters stream HD from anywhere. But, one flaw keeps us from calling it a must-buy

In March, I visited Moscow to speak at the Connected TV Forum. The trip was sponsored by NGENIX, the leading regional CDN in Russia and CIS, and their CEO, Konstantin Chumachenko, was the first to reach out. My talk, Producing for Multiple Screen Delivery (and you can download the handouts here), was formulated with the help of Konstantin and conference …

H.265/High Efficiency Video Coding (HEVC) is the successor codec to H.264, which, like H.264, is jointly developed by the ISO/IEC Moving Picture Experts Group and ITU-T Video Coding Experts Group (VCEG). The primary goal of the new codec is 50 percen

Is 2013 the year of encoding in the cloud? Actually, it might be, at least for live transcoding in the cloud, and even on-demand transcoding should see significant migration to cloud facilities.

Choosing a live streaming encoding tool used to be simple: You typically would encode a single stream for delivery to your desktop viewers, and budget was the most important buying criteria. When buying today, of course, you've almost certainly expan

Live event streaming while on the road requires an encoder that's as powerful as it is portable. In this Buyer's Guide, I'll detail the categories to consider when buying a portable encoder, along with factors to consider to help identify the best pr

So you've been tasked (or you decided) to produce If you're working in a small home or office with a webcast from your office. Congratulations, it's a great way to communicate directly with one or hundreds of viewers. Of course, one critical factor i

Many streaming producers are increasing the number of mobile and over-the-top (OTT) platforms that they support while implementing adaptive streaming to enhance the viewing experience on each. There are two ways to accomplish this: produce a unique s