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Jan Ozer

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I help companies train new technical hires in streaming media-related positions; I also help companies optimize their codec selections and encoding stacks and evaluate new encoders and codecs. I am a contributing editor to Streaming Media Magazine, writing about codecs and encoding tools. I have written multiple authoritative books on video encoding, including Video Encoding by the Numbers: Eliminate the Guesswork from your Streaming Video (https://amzn.to/3kV6R1j) and Learn to Produce Video with FFmpeg: In Thirty Minutes or Less (https://amzn.to/3ZJih7e). I have multiple courses relating to streaming media production, all available at https://bit.ly/slc_courses. I currently work as www.netint.com as a Senior Director in Marketing.

Editing Audio for Video in Adobe Soundbooth–Five Key Tasks

I’m a big Adobe Audition fan, and when I heard that the powerful multitrack audio editing program found in Adobe Production Studio would be replaced in the upcoming CS3 bundle by a more feature-limited version, I was less than pleased. That

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Microphone options

Figure 3 shows a good cross section of the types of microphones you should be considering for your shoots. Let's briefly identify them, and then cover the three characteristics of microphones you need to learn before buying. Figure

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Connection options

There are two ways to connect external microphones to camcorders, though not all camcorders offer either or both options. First, of course, is your microphone port, which comes in two general categories. One is an XLR connector, which is typicall

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Choosing the highest quality microphone option

So those are the microphones and the ways they connect. But how do they perform?To test performance, we used a high-quality, digitized recording of a woman speaking, played back over computer speakers at a standardized volume. To create ambient so

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Choosing an XLR adapter for your camcorder

So, if you want to use a high-end microphone with your camcorder and you don't have an XLR jack, you'll have to find a way to convert from the XLR cable to the 3.5mm connector on your camera. We explored two alternatives.The first was a "line matc

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Choosing a microphone: the three questions

This leads us to the three issues you need to address before buying a microphone. Note that you have to ask the same questions whether the microphone is wired or wireless, since the issues are identical.What is the pickup pattern?First is the pick

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Checklist for using an external microphone

When you attach an external microphone to your camcorder, you're going to have to change some settings on the camcorder to tell it to ignore its internal microphone and record from the external. You'll also have to set gain controls to make sure that

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Capturing High Quality Audio

It generally only takes a video shoot or two before you realize that the weakest link on your camcorder is the microphone. Don't worry: It's not you, or really your camcorder for that matter, just the simple fact of life that all onboard microphon

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Which is better: Flat or three-point lighting?

I had my own opinions on the matter of which lighting technique to use for streaming. However, I wanted confirmation, so I contacted Roger Chang, who produces two shows for Ziff Davis Media — DL.TV with Patrick Norton and Robert Heron and Cr

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Three-point lighting and conclusion

As mentioned above, the interviews with local band No Speed Limit were primarily to create a DVD to send to festival promoters along with a couple of songs from a concert I shot on New Year's Eve. The group also wanted to upload the interviews to

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