Tag Archives: H.264 production

In addition to the deinterlacing issue discussed here, Squeeze 5.0 also suffered two H.264 encoding problems. One related to very ugly key frames like those shown in Figure 1. On the left, you see the poor quality frames incident to Squeeze 5.0. S

check out how YouTube is producing their H.264

Describes the most common mistakes made when producing for podcasts for iTunes.

Attendees will learn how to optimize quality for their target playback platforms while conforming to the requirements of their chosen streaming technology. The session starts with an overview of H.264-specific encoding parameters, especially profiles and levels, and a discussion of details like B-frame interval and CABAC/CAVLC. It then examines the platform-specific requirements of producing for Flash and QuickTime distribution.

Presentation teaches how to optimize quality for your target playback platforms while conforming to the requirements of their chosen streaming technology. The session starts with an overview of H.264-specific encoding parameters, especially profiles and levels, and a discussion of details like B-frame interval and CABAC/CAVLC. It then examines the platform-specific requirements of producing for Flash and QuickTime distribution.

A 45 minute presentation comparing VP6, VC1 and H.264