I compare four H.264 encoders in this article on OnlineVideo.net. Here’s the gripping introduction: OK, …

There’s been lots of sizzle around HTML5, but to my mind, very little steak. Last …

Most camcorders capture audio at 48 kHz, so there’s a natural tendency to produce your …

Creative Cow just published a thorough and thoughtful story about switching from Final Cut Pro …

OnlineVideo.net published my review of Apple's Final Cut Pro X here. At about 3500 words, it's one of the longest reviews I've written in awhile, with 16 screen shots. My conclusion? While not fully rendered, my project is done, and this review almo

By now you've probably heard that Final Cut Pro X lacks many features that professionals need, including the ability to load Final Cut Pro 7 projects, multicam support, plug-in support, OML or EDL support and tape output. Judging from the noise on bl

I thought I would share a video that Adobe just posted on their vision for professional video. The speaker is VP Jim Guerard, a thoughtful, impressive guy that I've met several times. Here are some of the statistics Jim discussed (which I cribbed fro

I have to say that Google's support for Flash on the Android platform always seemed like a case of strange bedfellows to me. After all, Google is the company that paid over $100 million for On2 just to open source the VP8 codec (as WebM), reviving th

I spoke on encoding for HTML5 distribution at Streaming Media East 2011, you can watch the video and download the presentation slides by clicking over to the main article. Here's the description from the conference program: How To: Encoding Video For

My presentation on encoding for adaptive streaming from Streaming Media East 2011 is available, here's the description from the program: How To: Encoding for Adaptive Streaming This seminar identifies the most relevant adaptive streaming technologie