So, you’ve been shooting in high definition for a while now, and you are ready to start posting HD sample clips on the web that actually reflect the quality of the footage you’re capturing in your camera and editing in your NLE. You ha

With the CS4 upgrade introduced in Q4 2008, Adobe patched some necessary feature gaps (think AVCHD), supercharged the CS4 Production Premium creative workflow (think more Dynamic Link), and launched several new groundbreaking features (think audio

As you’ve undoubtedly heard, Adobe Creative Suite 4 (CS4) Production Premium delivers some awesome productivity benefits, particularly the ability to send Premiere Pro sequences to both the Adobe Media Encoder (AME) and Adobe Encore for rend

This article illustrates when and where you can optimize quality by shooting in progressive rather than streaming mode.

I've been spending a lot of time comparing codecs lately, and I always feel a little uncomfortable when I encode the test files since I assume that the actual codec vendors know how to wring the last bit of quality out of their respective codecs

This article reviews Sorenson Squeeze 5.0

Describes the most common mistakes made when producing for podcasts for iTunes.

Attendees will learn how to optimize quality for their target playback platforms while conforming to the requirements of their chosen streaming technology. The session starts with an overview of H.264-specific encoding parameters, especially profiles and levels, and a discussion of details like B-frame interval and CABAC/CAVLC. It then examines the platform-specific requirements of producing for Flash and QuickTime distribution.

Presentation teaches how to optimize quality for your target playback platforms while conforming to the requirements of their chosen streaming technology. The session starts with an overview of H.264-specific encoding parameters, especially profiles and levels, and a discussion of details like B-frame interval and CABAC/CAVLC. It then examines the platform-specific requirements of producing for Flash and QuickTime distribution.

In stark contrast to earlier generations of AVCHD camcorders, by design and feature set, the AG-HMC150 is the first camcorder targeted squarely at the professional market. This is the first AVCHD camcorder that I’ve tested that looks, feels, and works like a truly professional camcorder. During the camcorder’s month-long stay, I filmed an informal concert at a local dinner theater …