I just finished my Produce Videos with FFmpeg course which I recorded with Camtasia, edited in Adobe Premiere Pro, and output in the Adobe Media Encoder (AME). I outputted from AME at about 10 Mbps to ensure quality, but now I’m left with 3 GB of files to upload. I know the data rate is unnecessarily high, but AME doesn’t …
Read More »Streaming Learning Center Launches First FFmpeg Course
Recommendation from AMC Networks
I recently finished a streaming consulting project with AMC Networks and was pleased to receive the following LinkedIn recommendation from their VP of Video Products. It was great working with Greg and his team with the gorgeous content from AMC. Beyond this work with AMC, I’ve helped media companies and video publishers fine-tune their encoding parameters, modernize their encoding ladders, …
Read More »W4. Encoding Live & VOD For HEVC/HLS
W4. Encoding Live & VOD For HEVC/HLS Monday, November 12: 1:30 p.m. – 4:30 p.m. Apple’s support for HEVC in HLS is a groundbreaking event that opens up hundreds of millions of HEVC capable players. If supporting this spec is on your short-term development schedule, check out this workshop. The workshop starts by reviewing the new spec and sharing playback …
Read More »Download Handout: Encoding 2018: Codecs & Packaging For PCs, Mobile, & OTT/STB/Smart TVs
Download the handout from this presentation below: Here’s the description: As video resolutions increase and target playback platforms multiply, video producers must leave their H.264/HLS/HDS comfort zone and expand into HEVC, VP9, AV1, and MPEG-DASH. This workshop is divided into multiple segments by target platform to teach you the applicable standards and best strategies for delivering live and VODadaptive video …
Read More »Apple’s Roger Pantos to Give Kickoff Session at Streaming Media West
I have a confession to make. Though I’ve attended dozens of Streaming Media conferences, I’ve never attended a kickoff session. Not, of course, because the content wasn’t information and insightful, but because I’m always scurrying about trying to finish my own presentations. This dubious accomplishment ends at Streaming Media West next month, when Roger Pantos, the inventor of HTTP Live …
Read More »Protected: Segment-Based Encodes May Deliver Lower Quality than Complete File Encodes
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Read More »Ozer Updates FFmpeg Book
FOR IMMEDIATE RELEASE Media Contact: Jan Ozer 276-235-8542 [email protected] www.streaminglearningcenter.com OZER UPDATES LEARN TO PRODUCE VIDEO WITH FFMPEG IN 30 MINUTES OR LESS Adds instruction on packaging with Bento 4, encoding and packaging HEVC for HLS, and Live H.264, HEVC, and VP9 transcoding Galax, VA, August 10, 2018 — Doceo Publishing today announced the 2018 Edition of Jan Ozer’s book, …
Read More »Finding the Equivalent x264 Commands for FFmpeg
Most of the x264 commands that I use in FFmeg are simple and well documented. Today, I had to duplicate a Handbrake preset that included some obscure x264-specific configuration options like the following: cabac=0:aq-mode=3:slices=24:direct=auto:subme=8:trellis=1:deblock=-2,-1:me=umh Cabac, I got, but most of the rest I use the default setting for the selected preset. Since Handbrake was displaying x264 commands which are different …
Read More »Mapping SSIM and VMAF Scores to Subjective Ratings
One visual quality metric that’s getting a bit more love lately is the Structured Similarity Index (SSIM). For example, when Facebook launched their first VR Metric, SSIM360, they based it on SSIM. I’ve generally avoided using SSIM because the scoring range is too small for my liking (0 – 1) and I wasn’t aware of any way to map SSIM scores …
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