Encoding

My first session at Streaming Media West. Here’s the description, you can download the handout below. As video resolutions increase and target playback platforms multiply, video producers must leave their H.264/HLS/HDS comfort zone and expand into HEVC, VP9, and MPEG-DASH. This workshop is divided into multiple segments by target platform to teach you the applicable standards and best strategies for …

HLS just got really complicated. On September 9, 2017, Apple updated their HLS authoring requirements to include HDR and 4K recommendations. The updated ladder is shown below. Here are some of the new/updated requirements for HEVC and HDR. There are more in the spec, but these are the ones I wanted to comment on. 1.6. Profile, Level, and Tier for HEVC MUST …

VMAF stands for Video Multimethod Assessment Fusion, but all you really need to know is that it’s the video quality metric co-invented by Netflix to replace the Peak Signal to Noise Ratio (PSNR) that used to fuel the company’s per-title encoding function. In the image above, which is courtesy of Netflix, you see how VMAF scores on the left more closely match …

Apple’s HLS Authoring Specifications for Apple Devices approves up to 200% constrained VBR but Apple’s actual encodes are more like 110-120% constrained. What Apple Says As you probably know, Apple recently made sweeping changes to their HLS recommendations, including changing from 110% constrained VBR for VOD in TN2224, to 200% constrained VBR in the HLS Authoring Specifications for Apple Devices …

As quality metrics go, PSNR is considered a blunt tool obsoleted by higher end metrics like Netflix’s VMAF or SSIMwave’s SSIMplus. That said, it’s accessible and understood, and has been used for years. Of course, none of that matters if it delivers misleading results. So that’s what I decided to test in a round of two tests. This is the first, …

(Note: This article was amended to show the comparative results at 6 mbps) Summary (The MPD) As more and more producers move their encoding to the cloud, or distributing via OVPs or other service providers, the data rate for the mezzanine files is significant factor for upload time and bandwidth and storage costs. The big question is, how much extra …

I recently finished a white paper comparing the pricing for a new cloud encoding service named Hybrik with multiple cloud providers, including Amazon Elastic Transcoder, Microsoft Azure, Bitmovin, encoding.com, Telestream Cloud, and Zencoder. The white-paper was sponsored by Hybrik, and you can download it below. By way of background, I ran all calculations by the respective services (except Amazon) to verify my …

Summary This research-based article details the factors to consider when choosing the segment duration for DASH or HLS. By way of background, when choosing an HLS or DASH segment duration for VOD video, the nature of the server/player connection is critical. For persistent connections, a segment size of two-three seconds produces good quality and optimal system throughput. For non-persistent connections, …

This article is kind of a prequel to my book, Encoding by the Numbers, which I published in 2016. That is, I published this article to get commentary from folks who read it, which I factored back into my book. Unfortunately, I changed content management systems in 2018 and lost the comments.  One of the topics I’m addressing in my …

Figure 1. The four critical aspects to consider before video encoding. Executive Summary: While video quality is always top of mind, consider deliverability, compatibility, and playability before finalizing your video encoding presets. Too often we look at video encoding with a single point of focus; achieving the best possible quality for the lowest possible data rate. However, as I was …