Encoding

Here’s the description; download handout here. SME-2019 – FFmpeg Hardware VES101. Benchmarking FFmpeg’s Hardware Codecs Tuesday, May 7: 10:30 a.m. – 11:30 a.m. Hardware codecs in FFmpeg like those from Intel and NVIDIA deliver significant performance gains over x264/x265, but have a reputation for lower quality and use a completely different command set. This session benchmarks the performance and quality of …

Here’s the description; link to the PDF is below: W1. Introduction To ABR Production & Delivery Monday, May 6: 9:00 a.m. – 12:00 p.m. This course helps those new to streaming media get familiar with the relevant terms, concepts, and technologies. The session begins with a definition of terms like codecs, container formats, and adaptive bitrate streaming, as well as encoding …

I was preparing for the codec discussion of my preconference sessions next week at Streaming Media East and visited www.caniuse.com to report codec availability. While I expected H.264 (96.96%) and VP9 (80.78%) to easily win, and they did, I was surprised to find AV1 availability at 32.46%, well ahead of HEVC at 16.71%. Digging into the numbers, I noticed that …

I’m preparing for my per-title presentation at Streaming Media East next Tuesday (presentation description below) and found some anomalous results for lower-resolution files produced by YouTube. I’m including YouTube in the analysis because I’ve always respected their work and for perspective vis a vis other per-title technologies that I’ll analyze (including Elemental MediaConvert QVBR, Capella Systems SABL, Epic Labs Lightflow, …

A few weeks ago, I wrote about the VMAF Phone Model which measures VMAF score for viewers watching on a mobile phone. Since then, I gave a presentation at NAB on VMAF and ran some calculations comparing the phone and default models. I share those below. First, have a quick look at the three VMAF models shown on the slide …

I’m launching a new course entitled Encoding and Packaging for Multiple Screen Delivery. It’s an advanced course detailing how to create and configure encoding ladders using objective quality metrics like VMAF, packaging for DASH/HLS (both static and dynamic), CMAF, per-title encoding, and more. The course is designed for professionals who need to get up to speed on these topics and …

My article How to Launch a Cloud Encoding Computer just posted on the Streaming Media Global site. Good thing, too, because I had just started a consulting project that required setting up and encoding on multiple AWS instances. Always handy to have a step-by-step guide, so I printed the article draft and went through it point by point to get …

The video below shows two tools that I’ve installed on every computer that will run them; MediaInfo on all Windows, Linux, and Mac workstations, and Bitrate Viewer, which is Windows only. If you don’t know about these tools, you’ll find the seven-minute video very, very useful. As a preview, MediaInfo provides information about my H.264, HEVC, VP9, and AV1-encoded files …

I just finished my Produce Videos with FFmpeg course which I recorded with Camtasia, edited in Adobe Premiere Pro, and output in the Adobe Media Encoder (AME). I outputted from AME at about 10 Mbps to ensure quality, but now I’m left with 3 GB of files to upload. I know the data rate is unnecessarily high, but AME doesn’t …

A couple of additional data points on AV1 encoding as follow-ups to my Streaming Media article here. First, a colleague asked about 4K encoding times on Twitter. Second, a reader recommended using the row-mt switch for VP9. So, I encoded a ten-second 4K test file on the same single-CPU ZBook as the Streaming Media article. I used the same basic …