Codecs

I was preparing for the codec discussion of my preconference sessions next week at Streaming Media East and visited www.caniuse.com to report codec availability. While I expected H.264 (96.96%) and VP9 (80.78%) to easily win, and they did, I was surprised to find AV1 availability at 32.46%, well ahead of HEVC at 16.71%. Digging into the numbers, I noticed that …

I’ve been asked for an update on the Sisvel AV1/VP9 pool situation; here’s what we know. Before beginning, as I wrote about here, I am working as a consultant with Sisvel during the launch. To recap, Sisvel announced their pool late March: Before signing on as a consultant, I wrote two articles for Streaming Media and produced one video interview …

Just a brief note to let you know that I’ve signed on as a consultant for Sisvel regarding their launch of the AV1 and VP9 patent pools. What? Sisvel just announced patent pools on VP9 and AV1 and was aware that HEVC-related pools were controversial and were concerned about properly communicating its vision and goals. I’ll help them work with …

In this video, I interviewed Sisvel CEO Mattia Fogliacco about the new VP9 and AV1 patent pools. Our discussion covered: Background on Sisvel Due diligence performed before Sisvel formulated the pool to confirm the validity of their patents Details about the royalty structure and what’s covered by the license (and what’s not covered) The image atop this article comes from …

Luxembourg-based Sisvel International SA announced patent pools for VP9 and AV1 yesterday targeted at consumer display devices (smartphones, TVs, etc) and consumer non-display devices (set-top boxes and OTT devices). Here’s what we know from this article on Streaming Media) and this Q&A. The standard rate for VP9 is € 0.24 for display devices and € 0.08 for non-display devices, while …

A couple of additional data points on AV1 encoding as follow-ups to my Streaming Media article here. First, a colleague asked about 4K encoding times on Twitter. Second, a reader recommended using the row-mt switch for VP9. So, I encoded a ten-second 4K test file on the same single-CPU ZBook as the Streaming Media article. I used the same basic …

When I first tested AV1 encoding back in August 2018 encoding times were glacial and seriously detracted from the potential usability of the codec. Table 1 from that story tells the tale. Unless otherwise indicated, all encoding times are on my HP ZBook notebook powered by a single 2.8 GHz Intel Xeon E3-1505M v5 CPU. In addition, LibVPx is the …

In this January 2019 article in Streaming Media Magazine, I reported that two patent holders in the MPEG-LA patent portfolio group had sued Huawei and ZTE in Germany for patent infringement and had won. As stated therein, “the judgment was particularly onerous; not only did the court order the two companies to stop selling the offending mobile phones in Germany, they …

As we transition from H.264 to VP9, HEVC, AV1, and soon VVC (Versatile Video Coding), it’s important to understand the fundamentals of codec comparisons and how to evaluate their effectiveness and utility. In this expanded column I’ll cover both. Evaluating the Evaluation Let’s begin with how to evaluate the evaluation. I start by identifying the evaluator and its affiliations, giving …