Codecs

I just saw Vimeo’s “isn’t it wonderful that we’re publishing video with AV1” announcement and felt the need to call BS. First, it’s time to stop calling AV1 royalty-free and promoting the Alliance for Open Media (AOM) as some kind of noble effort to keep video on the web free. Second, don’t tell me that you’re using AV1 to “embrace …

Here’s the link to download:  W4-key encoding skills Here’s the description. W4. Key Encoding Skills, Technologies, & Techniques Monday, May 6: 1:30 p.m. – 4:30 p.m. This session helps encoding professionals get up-to-speed on crucial encoding-related issues, technologies, and techniques. Topics include: Best high-level strategies for delivering to computers, mobile, smart TVs, and OTT (which ABR, codecs, and DRMs are supported …

Here’s the download: T20_Build_Free_Encoder_FFmpeg_Bento_short. The video is below. T202. How To Build A Free Encoder/Packager With Watch Folder Operation Using Open Source Tools Wednesday, May 8: 11:45 a.m. – 12:30 p.m. Open source tools like FFmpeg and Bento4 are used to build massive encoding farms for high-profile premium content services, but they also serve wonderfully as simple tools for smaller developers …

Here’s the description; download handout here. T103. A Survey Of Per-Title Encoding Technologies Tuesday, May 7: 1:45 p.m. – 2:30 p.m. Per-title encoding techniques customize the encoding ladder to match the encoding complexity of the source, saving bandwidth on easy-to-compress videos and ensuring the quality of more complex footage. Codec specialist Jan Ozer compares the efficiency, implementation issues, and costs of …

Here’s the description; download handout here. SME-2019 – FFmpeg Hardware VES101. Benchmarking FFmpeg’s Hardware Codecs Tuesday, May 7: 10:30 a.m. – 11:30 a.m. Hardware codecs in FFmpeg like those from Intel and NVIDIA deliver significant performance gains over x264/x265, but have a reputation for lower quality and use a completely different command set. This session benchmarks the performance and quality of …

I was preparing for the codec discussion of my preconference sessions next week at Streaming Media East and visited www.caniuse.com to report codec availability. While I expected H.264 (96.96%) and VP9 (80.78%) to easily win, and they did, I was surprised to find AV1 availability at 32.46%, well ahead of HEVC at 16.71%. Digging into the numbers, I noticed that …

I’ve been asked for an update on the Sisvel AV1/VP9 pool situation; here’s what we know. Before beginning, as I wrote about here, I am working as a consultant with Sisvel during the launch. To recap, Sisvel announced their pool late March: Before signing on as a consultant, I wrote two articles for Streaming Media and produced one video interview …

Just a brief note to let you know that I’ve signed on as a consultant for Sisvel regarding their launch of the AV1 and VP9 patent pools. What? Sisvel just announced patent pools on VP9 and AV1 and was aware that HEVC-related pools were controversial and were concerned about properly communicating its vision and goals. I’ll help them work with …

In this video, I interviewed Sisvel CEO Mattia Fogliacco about the new VP9 and AV1 patent pools. Our discussion covered: Background on Sisvel Due diligence performed before Sisvel formulated the pool to confirm the validity of their patents Details about the royalty structure and what’s covered by the license (and what’s not covered) The image atop this article comes from …

Luxembourg-based Sisvel International SA announced patent pools for VP9 and AV1 yesterday targeted at consumer display devices (smartphones, TVs, etc) and consumer non-display devices (set-top boxes and OTT devices). Here’s what we know from this article on Streaming Media) and this Q&A. The standard rate for VP9 is € 0.24 for display devices and € 0.08 for non-display devices, while …