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Jan Ozer

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I help companies train new technical hires in streaming media-related positions; I also help companies optimize their codec selections and encoding stacks and evaluate new encoders and codecs. I am a contributing editor to Streaming Media Magazine, writing about codecs and encoding tools. I have written multiple authoritative books on video encoding, including Video Encoding by the Numbers: Eliminate the Guesswork from your Streaming Video (https://amzn.to/3kV6R1j) and Learn to Produce Video with FFmpeg: In Thirty Minutes or Less (https://amzn.to/3ZJih7e). I have multiple courses relating to streaming media production, all available at https://bit.ly/slc_courses. I currently work as www.netint.com as a Senior Director in Marketing.

Which codec is hardest to play back; VC-1, H.264 or VP6?

This article compares the CPU required to play VC-1, H.264 and VP6 streams.

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Shooting for Streaming – HD or SD?

This article is a drama showing just how far a man will go to prove that he’s right (or perhaps, not wrong). What’s in it for you besides the guilty pleasure of reading a desperate nail-biter? It’s called stealth learning. Hidden in the suspenseful plotline are some invaluable lessons about shooting for streaming, ways in which different timeline presets can …

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Go where the eyeballs are – shooting product videos

More prospect are watching product videos before buying, which presents an opportunity for retailers and videographers.

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Edit Review: Adobe Premiere Pro CS4

Adobe Premiere Pro Creative Suite 4 (CS4) is out and shipping in all its glory. You’ve probably heard lots about it. In this review, I’ll pull the major points together and review CS4’s new features within the workflow of a typical project, from preproduction planning to rendering and authoring. First, some housekeeping details. Premiere Pro CS4 includes an updated OnLocation …

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YouTube Means Business

To me, YouTube has been like the proverbial elephant; my impression depended upon where I touched it. Before I touched it at all, I dismissed the site as grist for those with too much time on their hands. Then, after a magical night sampling rock

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Streaming 103: Choosing Your Streaming Configuration Parameters

This article details codec usage, and the resolution, data rate, and frame rate used by many of the top sites on the Internet.

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Streaming 102: Codecs, plus VBR and CBR, and I, B an P Frames

Streaming 101 defines file-related terms like bandwidth, frame rate, data rate and resolution, and then delivery options like streaming and progressive download. This article describes codecs and streaming architectures, and then common en

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Details of ESPN’s new higher resolution VP6 files

This article details the encoding parameters used by ESPN to produce the VP6 encoded files for the standard Flash Player offered on www.espn.com.

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Affordable HD Video Format

If you’re considering buying a new affordable HD camcorder, you should have at least three formats in mind: tried-and-true HDV, up-and-coming AVCHD, and the ever-more-affordable DVCPRO HD. By a stroke of good fortune, I have three such camcorders in hand right now, and I thought it would be a good time to discuss their relative merits. Specifically, I’ve got the …

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CS4 and 64-bit Systems

So there I was, testing Adobe Creative Suite 4 (CS4)’s AVCHD compatibility. I created a simple project, about 4 minutes long, two picture-in-picture overlays with simple rotation and color correction. I had two eight-core systems: the Windows workstation, a 2.83GHz HP xw6600 running Windows XP (32-bit version) with 3GB of RAM, and a 3.2GHz Mac running OS X version 10.5.5 …

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