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Jan Ozer

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I help companies train new technical hires in streaming media-related positions; I also help companies optimize their codec selections and encoding stacks and evaluate new encoders and codecs. I am a contributing editor to Streaming Media Magazine, writing about codecs and encoding tools. I have written multiple authoritative books on video encoding, including Video Encoding by the Numbers: Eliminate the Guesswork from your Streaming Video (https://amzn.to/3kV6R1j) and Learn to Produce Video with FFmpeg: In Thirty Minutes or Less (https://amzn.to/3ZJih7e). I have multiple courses relating to streaming media production, all available at https://bit.ly/slc_courses. I currently work as www.netint.com as a Senior Director in Marketing.

According to IDC, 94% of consumers can play streams of 1200 or higher

I was reading through some material on Adobe's web site (specifically, here) and noticed the following table, which I've copied verbatim, along with the explanatory note. Citing an August, 2008 IDC study that's referenced below, the table states that

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Test Drive: Intel Nehalem, Part 1

A few months ago, I ran some Adobe Creative Suite 4 (CS4) benchmarks on different computers that isolated how CS4 performed with formats ranging from DV to Red. Now that Intel’s Nehalem processor is upon us, those numbers are obsolete, so I’m updating them with results from two Nehalem-based workstations that I’ve been testing. In this installment, I’ll explain the tests and share DV and …

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Producing H.264 Video for Flash: An Overview

How to produce H.264 video

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How streaming video can improve product sales – a user study

I found this snippet on the Really Practical Marketing website. It's third hand information, but it shows the results of some user polls taken by online video company Vzaar. Specifically, Vzaar polled their customers on how using streaming video impr

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Choosing your streaming resolution and data rate

This page discusses how to compute the optimal data rate for your streaming video.

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Online video viewing numbers “vastly” overstated

We like to drink our own Kool-Aid in the streaming video business, and most of us tended to accept the increasingly hyperbolic streaming video viewing numbers as fact. Well, Nielson funded a research study to the tune of $3.5 million that actuall

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So You Want to Get to Know H.264?

H.264 CABAC CAVLC profiles levels encoding scalable video coding AVC playing back H.265

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Test Drive: Telestream Episode Pro, Part 2

In the first installment for this month, I looked at Telestream’s new Episode Pro for Windows, detailing the interface, I/O, and preview function. This time out, we’ll look at encoding quality, performance, and compatibility. Let’s jump right in with Blu-ray and DVD. Figure 1. MPEG-2 encoding parameters in Telestream Episode Pro. DVD/Blu-ray Episode Pro offers only two Blu-ray presets—one for …

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Squeeze 5.1’s H.264 Encoding Quality Dramatically Improved

In addition to the deinterlacing issue discussed here, Squeeze 5.0 also suffered two H.264 encoding problems. One related to very ugly key frames like those shown in Figure 1. On the left, you see the poor quality frames incident to Squeeze 5.0. S

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Sorenson Boosts Squeeze 5.1’s Deinterlacing Quality

If you work with interlaced source footage, the quality of your deinterlacing filter is one of the key components to final compressed quality. Unfortunately for Sorenson Squeeze users, the quality of Squeeze's deinterlacing filters prior to version 5

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