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Jan Ozer

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I help companies train new technical hires in streaming media-related positions; I also help companies optimize their codec selections and encoding stacks and evaluate new encoders and codecs. I am a contributing editor to Streaming Media Magazine, writing about codecs and encoding tools. I have written multiple authoritative books on video encoding, including Video Encoding by the Numbers: Eliminate the Guesswork from your Streaming Video (https://amzn.to/3kV6R1j) and Learn to Produce Video with FFmpeg: In Thirty Minutes or Less (https://amzn.to/3ZJih7e). I have multiple courses relating to streaming media production, all available at https://bit.ly/slc_courses. I currently work as www.netint.com as a Senior Director in Marketing.

Review: Telestream Episode Engine

For VP6 and H.264 encoding, Telestream’s Episode Engine is fast and produces equal or better quality than most other streaming encoders. For those producing shiny optical discs, MPEG-2 performance and quality is also quite good. However, Win

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Reflections on H.264 and Silverlight from a week at Stanford

All’s been quite on the Streaming Learning Center front as I spent the last week teaching several courses on streaming media production and encoding at the lovely Stanford Campus at Palo Alto. Other than a quick sneak peak at the ne

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The Moving Picture: Apple Final Cut Studio: the Breadth and Depth

By now you’ve heard that there’s a new version of Final Cut Studio shipping from Apple, aptly called “the New Final Cut Studio.” What’s new? Well, it starts with a new price of $999, $300 less than Final Cut Studio 2. You can upgrade to the new suite from any previous version, even Final Cut Pro 1.0, for $299. All …

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Apple Compressor – New Encoding Features

Apple released the new Final Cut Studio today; what’s in it for streaming producers? Some nice workflow improvements, especially for producers of short-form content; for producers of long-form content, though, objects in the mirror may not be as close as they appear. More on that below. In terms of more mainstream uses, the big news includes Blu-ray output from within …

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Producing H.264 files for Flash distribution with Telestream Episode Pro

This video tutorial details how to use Telestream Episode Pro to produce H.264 video files for Flash distribution.

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Chosing a camcorder for streaming production – 5 questions to ask

If you bought a camcorder ten years ago, chances were it was DV and stored its video on DV tape. Three years ago, it was likely HDV and DV tape. Today, it could be any one of five or six HD formats (AVCHD, HDV, DVCPRO HD, XDCAM HD, AVC-Int

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H.264 Scalable Video Coding – what you need to know

Over the next two or three years, streaming producers will be increasingly tasked supplying optimized video streams to devices as disparate as cell phones and set top boxes, along with different quality versions for users accessing the con

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Dicas claims new algorithm boosts H.264 quality by 30%

Dicas produces the H.264 codec used by Telestream in most (if not all) of their encoding products, including Episode Pro and Episode Engine. On June 11, 2009, Dicas announced a new quality enhancing algorithm called dicasVICO that the company clai

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Video tutorial: producing H.264 video for Flash Distribution with Apple Compressor

This video tutorial details how to use Apple Compressor to produce H.264 video files for Flash distribution. Here's some  background information explaining some of the encoding decisions made in the tutorial. First, the project involved a concer

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Producing Screencams that Market and Sell

Screencams are a wonderful tool for demonstrating software operation. In many cases, producing them can almost be a real-time event—you capture and narrate simultaneously, import the result into Camtasia Studio, add titles and such, export t

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