Jan Ozer

Avatar photo
I help streaming and video technology companies solve complex technical and market-facing problems in practical business terms. Engagements range from fixed-scope audits and codec strategy reviews to product testing and technical content that helps customers, prospects, and internal teams connect technical performance to business outcomes. I am a contributing editor to Streaming Media Magazine, writing about codecs and encoding tools. I have written multiple authoritative books on video encoding, including Video Encoding by the Numbers: Eliminate the Guesswork from your Streaming Video (https://amzn.to/3kV6R1j) and Learn to Produce Video with FFmpeg: In Thirty Minutes or Less (https://amzn.to/3ZJih7e). I have multiple courses relating to streaming media production, all available at https://bit.ly/slc_courses.

There’s Nothing Pro about Final Cut Pro X

Steve Jobs was the greatest product innovator in the last couple of centuries, and his passing saddened me significantly. My appreciation goes back to his storied commencement address at Stanford University, which revealed him to be a deep and though

Read More »

Elemental Server Review: The One to Beat

Like old-time alchemists who turned base metals into gold, Elemental Technologies, Inc. converts industry-standard CPUs and GPUs into the hottest H.264 on-demand encoding box I’ve tested, with incomparable speed and quality that matches the bes

Read More »

Live From J Street, Part 3: Monitoring Webcast Audio

In this final segment of this series on the JStreet Making History convention webcast, we'll examine one aspect of webcast production that too often gets ignored: monitoring and controlling audio volume, which becomes a complex issue as speakers chan

Read More »

H.264 in a Mobile World: Adios to the Main and High Profiles?

Now that mobile devices are such an important target for most producers, does it make sense to start encoding all H.264 footage using the Baseline profile? From the tests that I performed this week, encoding all footage using this profile might save encoding and storage resources with minimal loss in quality. Gosh, it’s hard to remember a time when we …

Read More »

Two Years In: Are We Really Better Off Without Flash on Our iPads?

Love it, hate it, however you look at it, two years after its initial introduction, iPad owners still don’t get the same experience as Flash-based desktops. So Bubba Watson was in a playoff at the Masters with Louis Oosthuizen. Fate conspired against me, and I was pulled away from the TV on the second playoff hole. I returned to see …

Read More »

Adobe Premiere Pro CS6: An Essential Upgrade

So, Adobe announced that it will showcase Production Premium Creative Suite 6 at NAB prior to its official release sometime in the first half of 2012. What’s in it for you and me? Well, I worked on my first job with the beta and received a brie

Read More »

Livestream: No Computer Required

While most live streaming service providers offer software encoders that integrate tightly with their service, Livestream is the first to offer a standalone H.264 hardware encoder that operates without a computer connection and can transmit via 3G/4G

Read More »

Live from J Street, Part 2: Framing Tips for Conference Shooters and Webcasters

Jan Ozer passes on several key tips on framing panels and applying the rule of thirds (and when to break it) gleaned from his recent gig webcasting the national J Street conference on Israeli-Palestinian relations.

Read More »

Blackmagic H.264 Pro Recorder: High Quality, Frustrating Limits

Blackmagic Design's H.264 Pro Recorder ($499) performs a small set of functions reasonably well, including archiving footage to H.264 format at its native resolution and producing H.264 files for Apple TV, the iPad/iPhone 4, and uploading to YouTube

Read More »

Live from J Street, Part 1: Webcasting the National J Street Conference

I've produced multiple webcasts, but they've been primarily small events produced locally, usually as a volunteer or to provide a testbed for video switching or encoding-related projects. When I was contacted by Brendon Winters, a principal of Event

Read More »