As mentioned above, the interviews with local band No Speed Limit were primarily to create a DVD to send to festival promoters along with a couple of songs from a concert I shot on New Year's Eve. The group also wanted to upload the interviews to

Three-point lighting and conclusion

As mentioned above, the interviews with local band No Speed Limit were primarily to create a DVD to send to festival promoters along with a couple of songs from a concert I shot on New Year’s Eve. The group also wanted to upload the interviews to its MySpace page, and perhaps YouTube.

I wanted the interviews to create a warm, intimate mood, which sounded ideal for three-point lighting with soft lights. Although they were also bound for web distribution, I knew that MySpace videos can be at least 480×360, which was plenty of resolution to support the contrast introduced by the facial shadows. If the group had planned to stream the videos at 320×240 or smaller, I would have advised them to consider flat lighting.

I used the same two main lights as before, but I positioned the Rifa-lite close to the subject as the key, and the Omni-light, again equipped with umbrella, about 15ft. away as the fill. Because I was shooting the interviews at the concert site, I had plenty of room to use the Pro-light, with a 250W bulb, as the rim light. You can see the result in Figure 5.

Figure 3: Traditional three-point lighting is used to create mood in non-newsy video. Note how the shadow from the nose doesn’t cross the “smile” crease.

Here’s a video on setting up three-point lighting.

Setting Up Three Point Lighting

About Jan Ozer

Avatar photo
I help companies train new technical hires in streaming media-related positions; I also help companies optimize their codec selections and encoding stacks and evaluate new encoders and codecs. I am a contributing editor to Streaming Media Magazine, writing about codecs and encoding tools. I have written multiple authoritative books on video encoding, including Video Encoding by the Numbers: Eliminate the Guesswork from your Streaming Video (https://amzn.to/3kV6R1j) and Learn to Produce Video with FFmpeg: In Thirty Minutes or Less (https://amzn.to/3ZJih7e). I have multiple courses relating to streaming media production, all available at https://bit.ly/slc_courses. I currently work as www.netint.com as a Senior Director in Marketing.

Check Also

How AdCurate Helps Publishers Improve Ad Quality and Boost Revenue

In this conversation, Jan Ozer from the Streaming Learning Center interviews Gabe Thomas, VP of …

How Witbe Measured Super Bowl Streaming Performance — Insights on Latency, QoE, and 4K Quality

On March 11, 2025, I (Jan Ozer) from the Streaming Learning Center interviewed Yoann Hinard, …

Review of Multi-Resolution Encoding for HTTP Adaptive Streaming using VVenC

In their paper entitled, Multi-resolution Encoding for HTTP Adaptive Streaming using VVenC, Kamran Qureshi, Hadi …

Leave a Reply

Your email address will not be published. Required fields are marked *