Forum Presentation: Royalties on H264, HEVC, and DASH

I gave a recent talk on royalties at the Streaming Forum, entitled HEVC, H.264 and MPEG-DASH Royalty Update. Here’s the description.
Ten years ago, to stream video, you needed to know how to encode to H.264 and configure Flash. Now you have to be a patent lawyer. The end of 2016 was brutal from a royalty perspective. MPEG LA did the unthinkable and launched a DASH patent pool, which will impact all OTT producers with more than 100,000 customers. Will they launch a similar pool for HLS using the same IP? Nokia sued Apple for H.264 patent infringement, asserting a novel theory that could enable royalties far beyond the $0.20/unit charged by MPEG LA and impact all producers using H.264. And in a rare act of sensibility, unfortunately unmatched by MPEG LA, HEVC Advanced waived royalties on certain classes of HEVC decoders. You can pay your patent attorney 1000 quid for an update, or watch Jan Ozer cover what’s known and what’s not on royalties for H.264, HEVC, and DASH.
Click below to download the handout.

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About Jan Ozer

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I help companies train new technical hires in streaming media-related positions; I also help companies optimize their codec selections and encoding stacks and evaluate new encoders and codecs. I am a contributing editor to Streaming Media Magazine, writing about codecs and encoding tools. I have written multiple authoritative books on video encoding, including Video Encoding by the Numbers: Eliminate the Guesswork from your Streaming Video (https://amzn.to/3kV6R1j) and Learn to Produce Video with FFmpeg: In Thirty Minutes or Less (https://amzn.to/3ZJih7e). I have multiple courses relating to streaming media production, all available at https://bit.ly/slc_courses. I currently work as www.netint.com as a Senior Director in Marketing.

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