OK, I’ll say it. As far as I know, this is the first time any study has compared the quality and performance of codecs representing Essential Video Coding (EVC), Versatile Video Coding (VVC), and Low Complexity Enhancement Video Coding (LCEVC), as well as AV1, HEVC, and H.264. It’s not as exhaustive as I would like but the results should help …

Note: I received some very useful responses to this blog that are summarized in a post entitled, Choosing the Resolution for Lower Rungs on Your Encoding Ladder.  I could use some input from practitioners out there about which lower resolution rungs are essential to an encoding ladder. By way of background, I’m preparing a per-title encoding comparison. To derive the …

In the first article in this series, Baby Steps with Apple’s Advanced Video Quality Tool and Quality Metric, I detailed what Apple’s Advanced Video Quality Tool (AVQT) is and how to use it. In this article, I tested multiple video files with Apple AVQT and describe my user experience. In the next article, I’ll review how AVQT scoring compares to …

This article is derived from a lesson in Streaming Media 101: Technical Onboarding for Streaming Media Professionals. If you’re looking for an efficient way to get up to speed on key streaming terms, technologies, workflows, and best practices, check out the course here.  Every time you encode a video file with a distribution-oriented codec like H.264, HEVC, VP9, or AV1, …

Maya Angelou once said that “You can’t really know where you are going until you know where you have been,” and so it is with per-title encoding. What began as a one-dimensional data rate adjustment that reflected the simple reality that all videos encode differently is now a complex analysis that incorporates frame rate, resolution, color gamut, and dynamic ranges, …

This article is about a video lesson that computes the bandwidths savings afforded by the FFmpeg-based implementations of VP9 (libvpx-VP9), H.264 (x264), HEVC (x265), and AV1 (libaom-AV1). The lesson uses the Netflix convex hull analysis to build unique encoding ladders for each test clip and codec and shows why BD-Rate figures don’t accurately predict real-world savings. Towards the end, it …

This post provides an introduction to video codecs. It’s an entry-level article designed to help streaming newbies understand what codecs are, what they do, how to compare them, and why they succeed or fail.  Video codecs are compression technologies that reduce the bitrate of digital video to manageable sizes. Video codecs are not only central to streaming, but they’re also …

There are the handouts from the last few Streaming Media Events. They’re typically long and very detailed, so provide a lot of data and other information. I’ve segmented them by subject and included the videos where available. I hope you find this information useful. Production and Delivery FFmpeg Visual Quality Metrics Per-Title Encoding Hardware Transcoding Production and Delivery Streaming Media …

Here are some of the most popular codec-related articles that I’ve written lately for this site, Streaming Media Magazine, and some other outlets. General The Streaming Codec Landscape in 2021 – (January 2021)  By any measure, 2020 was a hectic year for video codecs or the compression technologies that drive streaming video. This year saw the launch of two standards-based codecs …