Compressor 4.1 is the first major update to Compressor since well before Final Cut Pro X. I reviewed the software for Streaming Media Magazine, and found a great new interface, the same old plumbing and confusing operation; here’s the pithy close: To close, let me say that 95% of Compressor users likely encode at data rates high enough to eliminate …
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January, 2014
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3 January
First Look: Apple Compressor 4.1
Apple introduced Compressor 4.1 in mid-December. I just spent four days with the tool, and I can’t synthesize the results. All I can offer is a series of observations that will transfer the knowledge that I’ve acquired, and hopefully, all
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2 January
Baby Steps Into Video SEO
One area of interest for me in 2014 is video search engine optimization (SEO). In this regard, I’ll be perusing a number of resources like webinars and articles to learn the basics. I figure as long as I’m learning, I might as well share this information with visitors to the Streaming Learning Center; after all, if you care about video, …
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December, 2013
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31 December
In Defense of Blu-ray
My wife owns a ballet company, which explains the frequent use of ballet sequences in my test clips and other content. Over the years, it’s been a great source of learning and training for me, though not really a business. I shoot because I have the best gear in town, which produces a great archive of my daughter’s progress and …
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31 December
Should I learn Final Cut Pro X or Adobe Premiere Pro?
I’m not a big fan of Quora, but occasionally the questions and answers are relevant. I saw this one today: Question: I want to gain hireable, professional-level experience and perhaps work in documentary filmmaking one day. Here’s a portion of the response from Chris Keath, Broadcast Engineer: Well, FCP 7 is still extremely common, but FCP X is not common …
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30 December
Hey, What Happened to Adobe Encore?
Looking for Adobe Encore on the Creative Cloud? It’s not easy to find. Here’s an intro to a story that I wrote for Streaming Media Producer about Encore’s demise, and how to find it on the Creative Cloud. So, there I was, starting to run some tests on a brand new HP Z820 with 12/24 core E5-2697 v2 CPUs, one …
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29 December
YouTube Live Opens Up Live Streaming to All Members
YouTube Live is a very useable and useful live streaming service that formerly was only open to a limited number of producers. According to StreamingMedia.com, the service is now free and open to all. I reviewed the service in an article you can read here; here’s one of the two webinars that I produced with the service as part of …
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21 December
Brightcove Video Cloud Live Review is Up!
My review of the Brightcove Video Cloud Live service is up and running on StreamingMedia.com. Basically, I reviewed the service so I could work with the Zencoder Live Transcoding service, which worked flawlessly; it’s a really nice service. The service Brightcove built around the service was functional, but had some flaws and rough edges which you can read about in …
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13 December
Review: Brightcove Video Cloud Live
Real-time cloud transcoding is the future of live event streaming, and it’s here now from several companies, including Brightcove subsidiary Zencoder, which was among the first to announce a live transcoding product. In this review, I’ll
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4 December
How to Produce High-Quality H.264 Video Files
H.264 is the only compression technology that plays on all computers, mobile devices, and OTT players. This makes producing high-quality H.264 files compatible with your target playback devices an essential skill. Helping you acquire and/ or polish t
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