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Jan Ozer

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I help companies train new technical hires in streaming media-related positions; I also help companies optimize their codec selections and encoding stacks and evaluate new encoders and codecs. I am a contributing editor to Streaming Media Magazine, writing about codecs and encoding tools. I have written multiple authoritative books on video encoding, including Video Encoding by the Numbers: Eliminate the Guesswork from your Streaming Video (https://amzn.to/3kV6R1j) and Learn to Produce Video with FFmpeg: In Thirty Minutes or Less (https://amzn.to/3ZJih7e). I have multiple courses relating to streaming media production, all available at https://bit.ly/slc_courses. I currently work as www.netint.com as a Senior Director in Marketing.

Deep Thoughts on Multiple-Camera Projects

  I recently shot my 20h multi-camera shoot, a concert by jazz singer René Marie. After you do anything 20 times, you have a good idea what you’re doing and why. As it turned out, this experience helped crystallized my thoughts to a level that I hope will benefit others who shoot and edit with multiple cameras. Before the event, …

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Audio Overview, Normalization, Pop & Cilck Removal and Noise Reduction

All of us have had audio rise up and bite us in the rear on a project or two, usually when we were focused elsewhere and not paying attention to levels, connections, and the like. Fortunately, with the right set of software tools and a bit

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Shooting an Interview with a Single Camera

To produce professional video on a budget, you need to master various visual and technical arts. But you also need to become a master of illusion, especially if you’re working as a crew of one. Here we explore the art of the single-camera shoot, and insert-editing techniques that will ensure that you have all the angles covered. Whether you’re a …

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The Moving Picture: My Brief Career in the Record Industry

Last July, I shot a concert performance by No Speed Limit (www.nospeedlimitband.com) an up-and-coming bluegrass band whose banjo player, Stevie Barr, comes from my adopted hometown of Galax, Virginia. I did it as a favor for the local tourism directo

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Review: HVR-Z1U Camcorder

When it comes to 3CCD camcorders, Sony’s practice is to offer consumer and professional versions of the same camera, starting with the highly regarded DCR-VX2000 and DSR-PD150, and continuing with the HDR-FX1 and HVR-Z1U. With both duos, though the professional model has some extra features, the cameras share all critical quality-related components, including the lens, CCDs, and most internal circuitry, …

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Mac OS – Escape from Freedom

Certainly the most memorable computer commercial of all time was Apple’s 1984 Super Bowl advertisement, with slack-jawed drones watching an Orwellian speaker on a huge screen smashed with a hammer flung by an admirably athletic young woman. The advertisement, directed by Ridley Scott of Blade Runner fame, railed against “unification of thought,” and promised that the Macintosh would prevent 1984 …

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Impressing Your Clients: the Ten Wow Theory

I thought up the “Ten Wow” strategy in a previous life on a sales trip to Redmond. I was president of a small software company barely clinging to life and sorely needing a big sale with a trophy client. We were the third of three companies presenting, three days each, and I felt like our presentation and product demonstration needed …

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Choosing the Optimal Video Resolution

[Author’s note: This article is from 2001, and some of the original images are gone. I’ve used the thumbnails from the Extremetech article here. Sorry for the low quality. The article is of limited value now, though square pixels continues to be a concept that confuses many producers, and aspect ratio mismatches continue to appear both on TV and on …

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The Moving Picture: HDV Fact and Fiction

One of the acclaimed benefits of shooting HDV for standard-definition output is the ability to shoot a wide-angle view and then pan and zoom within the video without losing quality. I tried this in a recent shoot, a performance by students in my wife

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The Moving Picture: April Fool’s Day, 2005

You can learn how to shoot video in one of two ways. You can apprentice under the direction of an experienced videographer who’s done it all and seen it all, and leverage the lessons he or she has learned over the years. Or, you can book the jobs, buy the gear, do your research, and shoot the shoot. Though the …

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